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Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear Abu Seer
Edward Lear, 1812–1888
Abu Seer
1867
Edward Lear Abu Seer
Edward Lear, 1812–1888
Abu Seer
1867
Edward Lear Near Daboad
Edward Lear, 1812–1888
Near Daboad
1867
Edward Lear Gebel Sheikh Eredi
Edward Lear, 1812–1888
Gebel Sheikh Eredi
1867
Edward Lear Just above Ekhmim
Edward Lear, 1812–1888
Just above Ekhmim
1867
Edward Lear Karnak, 9:30 pm, 22 January 1867 (212)
Edward Lear, 1812–1888
Karnak, 9:30 pm, 22 January 1867 (212)
1867
Edward Lear Shelaal, 2:30 am, 29 January 1867 (260)
Edward Lear, 1812–1888
Shelaal, 2:30 am, 29 January 1867 (260)
1867
Edward Lear Shelaal, 5:30 am, 29 January 1867 (264)
Edward Lear, 1812–1888
Shelaal, 5:30 am, 29 January 1867 (264)
1867
Edward Lear River pass, between barren rock cliffs
Edward Lear, 1812–1888
River pass, between barren rock cliffs
1867
Edward Lear Negadeh
Edward Lear, 1812–1888
Negadeh
1867
Edward Lear Abu Seer
Edward Lear, 1812–1888
Abu Seer
1867
William Blake "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
William Blake "What time the thirteen Governors that England sent convene..." (Plate 15)
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
William Blake "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
William Blake "With one accord in love sublime..." (Plate 44)
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
William Blake "And none but Bromian can hear my lamentations..." (Plate 6)
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
William Blake The Little Black Boy (Plate 6)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 6)
1789
William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
William Blake "To him the mighty mother did unveil Her awful face..." (Design 49)
William Blake, 1757–1827
"To him the mighty mother did unveil Her awful face..." (Design 49)
between 1797 and 1798
William Blake "Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
William Blake, 1757–1827
"Hark, how each giant -oak, and desert-cave, Sigh to the torrent's awful voice beneath!..." (Design 57)
between 1797 and 1798
William Blake "O'er thy country hangs The scourge of Heav'n..." (Design 59)
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake "Midst the tide, Two angel forms were seen to glide..." (Design 7)
William Blake, 1757–1827
"Midst the tide, Two angel forms were seen to glide..." (Design 7)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
William Blake, 1757–1827
The Pensive Selima, "Her ears of jet, and emerald eyes, She saw; and purr'd applause..." (Design 9)
between 1797 and 1798
William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake "To labours mighty, with vast strength..." (Plate 11)
Print made by William Blake, 1757–1827
"To labours mighty, with vast strength..." (Plate 11)
1804 to 1820
William Blake "What have I said? What have I done?..." (Plate 24)
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake A Welch Bard (Design 53)
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
William Blake The Serpent who Girds the Earth (Design 77)
William Blake, 1757–1827
The Serpent who Girds the Earth (Design 77)
between 1797 and 1798
William Blake The Little Black Boy (Plate 30)
Print made by William Blake, 1757–1827
The Little Black Boy (Plate 30)
1789
William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
Print made by William Blake, 1757–1827
Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
1804 to 1820
William Blake "Her Henry's holy shade..." (Design 15)
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
George Lothian Hall The South Barracks, Gibraltar
George Lothian Hall, 1825–1888
The South Barracks, Gibraltar
1844
Master of the Giants Apollo and Daphne
Master of the Giants, active 1779
Apollo and Daphne
between 1770 and 1799
unknown artist Shanklin Church/ Isle of Wight
unknown artist
Shanklin Church/ Isle of Wight
undated
Harold Gilman Romney Marsh
Harold Gilman, 1876–1919
Romney Marsh
undated
John Frederick Lewis Venice: The Grand Canal and Rialto
John Frederick Lewis, 1804–1876
Venice: The Grand Canal and Rialto
1838
Peter Monamy Men of War off Sheerness
Peter Monamy, 1681–1749
Men of War off Sheerness
undated
James Moore The Artist Sketching Mlle. de St. Legier as a Shepherdess
James Moore, 1762–1799
The Artist Sketching Mlle. de St. Legier as a Shepherdess
1787
Thomas Harrison Design for Grosvenor Bridge, Chester
Thomas Harrison, 1744–1829
Design for Grosvenor Bridge, Chester
ca. 1825
Benjamin West A Squall off a Mountainous Coast
Benjamin West, 1738–1820
A Squall off a Mountainous Coast
undated
Thomas Stowers Mill at Load Water
Thomas Stowers, 1754–active 1814
Mill at Load Water
undated
Robert Mabon A Waterman with his Ox or Bullock
Robert Mabon, died 1798
A Waterman with his Ox or Bullock
undated
Robert Mabon Rou Water Holder
Robert Mabon, died 1798
Rou Water Holder
undated
Nicholas Pocock The Ranger, Private Ship of War, with her Prizes
Nicholas Pocock, 1740–1821
The Ranger, Private Ship of War, with her Prizes
1780
Paul Sandby Lord Hopetoun's Lead Mines
Paul Sandby, 1731–1809
Lord Hopetoun's Lead Mines
1751
John Monro Ramsgate Harbour, Kent
John Monro, 1801–1880
Ramsgate Harbour, Kent
undated
Samuel Davis Man of War Moored in Harbor, Mountains in the Background
Samuel Davis, 1760–1819
Man of War Moored in Harbor, Mountains in the Background
undated
Thomas Rowlandson The Return of the Fleet to Great Yarmouth in 1797
Thomas Rowlandson, 1756–1827
The Return of the Fleet to Great Yarmouth in 1797
1797
unknown artist The Arrival of Ferries at London Bridge (?)
unknown artist
The Arrival of Ferries at London Bridge (?)
undated
Francis Nicholson River Scene
Francis Nicholson, 1753–1844
River Scene
1808
Thomas Rowlandson Comforts of Bath: The Bath
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Bath
1798
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
undated
Jean B. C. Chatelain Landscape Composition
Jean B. C. Chatelain, 1710–1771
Landscape Composition
undated
Henry William Bunbury Patience in a Punt
Henry William Bunbury, 1750–1811
Patience in a Punt
undated
Edward Francis Burney View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge
Edward Francis Burney, 1760–1848
View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge
undated
Thomas Rowlandson A Pier at Amsterdam
Thomas Rowlandson, 1756–1827
A Pier at Amsterdam
1801
Michel Jean Cazabon View from Laventille Hill
Michel Jean Cazabon, 1813–1888
View from Laventille Hill
1857
Michel Jean Cazabon Los Gallos, Icacos Bay
Michel Jean Cazabon, 1813–1888
Los Gallos, Icacos Bay
1857
unknown artist Illustration to Tonson's Ovid Metamorphosis (one of four)
unknown artist
Illustration to Tonson's Ovid Metamorphosis (one of four)
ca. 1710
Henry Morton Strand Gateway, Winchelsea
Henry Morton, ca. 1807–1825
Strand Gateway, Winchelsea
undated
Francis Wheatley Lismore Castle, Ireland
Francis Wheatley, 1747–1801
Lismore Castle, Ireland
1783
Thomas Bradshaw From the Beach near Fort Blanc, Oct. 4, 1819
Thomas Bradshaw, Born 1767
From the Beach near Fort Blanc, Oct. 4, 1819
1819
J. Tobin Preparing to lay eel traps
J. Tobin, active 1776
Preparing to lay eel traps
undated
Paul Sandby Munn Pale Melancholy
Paul Sandby Munn, 1773–1845
Pale Melancholy
ca. 1804
Francis Swaine Fishing Boats
Francis Swaine, 1730–1782
Fishing Boats
undated
John O'Connor Belfast from Bunker's Hill / On the Road to Hollywood
John O'Connor, 1830–1889
Belfast from Bunker's Hill / On the Road to Hollywood
undated
Robert Streatfeild Boulogne, France - a Mill in a Wooded Valley
Robert Streatfeild, 1786–1852
Boulogne, France - a Mill in a Wooded Valley
undated
Thomas Girtin View of Rochester
Thomas Girtin, 1775–1802
View of Rochester
1791
Thomas Rowlandson A Military Escapade
Thomas Rowlandson, 1756–1827
A Military Escapade
between 1794 and 1800
Thomas Rowlandson Lyson's Cottage, Cowes, Isle of Wight
attributed to Thomas Rowlandson, 1756–1827
Lyson's Cottage, Cowes, Isle of Wight
undated
Thomas Girtin The New Walk, York
Thomas Girtin, 1775–1802
The New Walk, York
ca. 1798
Thomas Rowlandson A Water-Wheel Driving a Transporter
Thomas Rowlandson, 1756–1827
A Water-Wheel Driving a Transporter
undated
Dominic Serres Barges Heading out to Sea
Dominic Serres, 1722–1793
Barges Heading out to Sea
1782
Samuel Atkins A Warship Preparing to Leave the Anchorage
Samuel Atkins, active 1787–1808
A Warship Preparing to Leave the Anchorage
between 1787 and 1808
Thomas Rowlandson Shipwrecked Sailors
Thomas Rowlandson, 1756–1827
Shipwrecked Sailors
undated
Thomas Rowlandson The Dying Sailor
Thomas Rowlandson, 1756–1827
The Dying Sailor
undated
Thomas Gainsborough Wooded Landscape with Herdsman and Cows
Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
undated
Henry Edridge The Hon. George Pryse Cambell (1793-1858), as a Midshipman
Henry Edridge, 1769–1821
The Hon. George Pryse Cambell (1793-1858), as a Midshipman
1805
William Day Renard's Hole, Dovedale, Derbyshire
William Day, 1764–1807
Renard's Hole, Dovedale, Derbyshire
1789
Capt. Francis Grose Holy Island and Castle, Northumberland
Capt. Francis Grose, 1731–1791
Holy Island and Castle, Northumberland
undated
unknown artist Cavorting Putti with Classical Vase and Fountain
unknown artist
Cavorting Putti with Classical Vase and Fountain
undated
Thomas Allason Isthmus of Corinth, 32
Thomas Allason, 1790–1852
Isthmus of Corinth, 32
1814