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- Date:
- between 1797 and 1798
- Materials & Techniques:
- Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
- Dimensions:
- Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- between 1797 and 1798
- Materials & Techniques:
- Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
- Dimensions:
- Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1804 to 1820
- Materials & Techniques:
- Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
- Dimensions:
- Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
![June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)](https://media.collections.yale.edu/thumbnail/ycba/de8c44cf-d537-4631-b1ea-c9a0bdfd4121)
- Date:
- undated
- Materials & Techniques:
- Gray wash with pen and black ink on thin, smooth, cream wove paper
- Dimensions:
- Sheet: 3 3/4 × 4 1/4 inches (9.5 × 10.8 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection