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Materials & Techniques black ink

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William Blake "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
unknown artist Unidentified Country House
unknown artist
Unidentified Country House
between 1700 and 1715
unknown artist A Coat of Arms for a Stamp on Income
unknown artist
A Coat of Arms for a Stamp on Income
undated
Daniel Lysons Coat of Arms in Chancel at Bedfont Church
Daniel Lysons, 1762–1834
Coat of Arms in Chancel at Bedfont Church
between 1796 and 1811
Daniel Lysons Brass Plate for Gregory Lovell and his Wife Anne, Daughter of David Bellingham, Harlington Church
Daniel Lysons, 1762–1834
Brass Plate for Gregory Lovell and his Wife Anne, Daughter of David Bellingham, Harlington Church
between 1796 and 1811
Paul Sandby A Coach with Royal Coat of Arms
Paul Sandby, 1731–1809
A Coach with Royal Coat of Arms
ca. 1764
unknown artist Design for a Panel with Coat of Arms
unknown artist
Design for a Panel with Coat of Arms
undated
Nicholas Pocock The Mars in Three Positions
Nicholas Pocock, 1740–1821
The Mars in Three Positions
1779
Nicholas Pocock View of the Tryall in Two Positions
Nicholas Pocock, 1740–1821
View of the Tryall in Two Positions
1779
Edwin Hugh Shellard View of Manchester Diocesan Registry
Edwin Hugh Shellard, 1815–1885
View of Manchester Diocesan Registry
1850
Hubert-François Gravelot Design for a Coin: Chambre de Commerce de Picardie
Hubert-François Gravelot, 1699–1773
Design for a Coin: Chambre de Commerce de Picardie
1761