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Materials & Techniques black ink

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1. "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)

"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Beginning of Poesy. The Blind Begging Bard (Design 41)

The Beginning of Poesy. The Blind Begging Bard (Design 41)
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Thaxted Church, Essex

Thaxted Church, Essex
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1800
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Contemporary drawn border: 14 3/4 × 11 1/4 inches (37.5 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Design for Polychromatic Decoration of a Church

Design for Polychromatic Decoration of a Church
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gouache with pen and black ink on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 11 1/4 × 9 1/2 inches (28.6 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Stained Glass Window of St. Catherine from Heston Church

Stained Glass Window of St. Catherine from Heston Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 7/8 × 10 3/4 inches (45.4 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Window West End, South Aisle, Saint Vincent

Window West End, South Aisle, Saint Vincent
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite, watercolor, pen and black ink, and pen and brown ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 7/8 × 3 7/8 inches (22.5 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Design for a Stained Glass Window

Design for a Stained Glass Window
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Pen and black ink and graphite on thin, smooth, blue wove paper
Dimensions:
Sheet: 7 × 8 inches (17.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Bishop's Chapel Bishop Eton (built c. 1845-1850)

Bishop's Chapel Bishop Eton (built c. 1845-1850)
Creator:
Print made by Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Lithograph on thin, smooth, blue wove paper
Dimensions:
Sheet: 11 1/8 × 8 1/2 inches (28.3 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Old Stained Glass in the Chanel Window aslo Memorial to Reverend Anthony Hilton from Hayes

Old Stained Glass in the Chanel Window aslo Memorial to Reverend Anthony Hilton from Hayes
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 5/8 inches (37.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Stained Glass in the East Window of Hanworth Church

Stained Glass in the East Window of Hanworth Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 10 5/8 inches (37.5 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh

Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh
Creator:
Thomas Hearne, 1744–1817
Date:
1778
Materials & Techniques:
Gray wash, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 13 5/8 x 10 3/8 inches (34.6 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Design for Polychromatic Decoration of a Church

Design for Polychromatic Decoration of a Church
Creator:
George Edmund Street, 1824–1881
Date:
undated
Materials & Techniques:
Watercolor and gouache with pen and black ink on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 10 1/8 × 6 1/4 inches (25.7 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. A Group of Women at Mass

A Group of Women at Mass
Creator:
Sir David Wilkie, 1785–1841
Date:
undated
Materials & Techniques:
Watercolor with black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 x 6 inches (19.4 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, Fund

14. Queen Anne Boleyn's Room, Windsor Castle

Queen Anne Boleyn's Room, Windsor Castle
Creator:
Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink over graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 5 inches (10.5 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Entrance to Hengrave Hall, 1819

The Entrance to Hengrave Hall, 1819
Creator:
Anna Mills, active 1819
Date:
1819
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper in contemporary wove paper insert with wash boader
Dimensions:
Sheet: 15 15/16 x 10 5/8 inches (40.5 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Salvator Mundi

Salvator Mundi
Creator:
Edward Burne-Jones, 1833–1898
Date:
1882
Materials & Techniques:
Black chalk, charcoal, white chalk, pen and black ink, pen and brown ink, watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 53 5/8 x 19 3/4 inches (136.2 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Robert Schoelkopf, B.A. 1951

17. The North-West Porch of Salisbury Cathedral

The North-West Porch of Salisbury Cathedral
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1832
Materials & Techniques:
Watercolor, pen and brown ink, pen and black ink, graphite, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 7/8 x 11 5/8 inches (35.2 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

18. View of the Staircase at Longleat House, Wiltshire; the Seat of the Marquis of Bath

View of the Staircase at Longleat House, Wiltshire; the Seat of the Marquis of Bath
Creator:
John Buckler FSA, 1770–1851
Date:
1810
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection