Materials & Techniques: black ink / Height [cm]: 21 - YCBA Collections Search Search Results

1. "Repelling weeping Enion blind & age-bent..." (Plate 87)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. "Then each an Arrow flaming from his Quiver..." (Plate 98)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. "The Feminine separates from the Masculine..." (Plate 90)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. "It is easier to forgive an enemy..." (Plate 91)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. "Albion cold lays on his Rock..." (Plate 94)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. "Awake! Awake Jerusalem..." (Plate 97)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. "Then all the Males conjoined into One Male..." (Plate 69)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. "I have mock'd those who refused cruelty..." (Plate 81)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. "Became a Space & an Allegory..." (Plate 85)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. "I see thy Form O lovely mild Jerusalem..." (Plate 86)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. "O Skofield why art thou cruel?..." (Plate 68)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. "Highgates heights & Hampsteads..." (Plate 84)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Frontispiece, Europe. A Prophecy

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1820
Materials & Techniques:: Relief etching prined in brown ink; proof; verso: color printed relief etching, pen and black ink, and gray ink; proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. "His Spectre divides & Los in fury compells it to divide..." (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. "Albion thy fear has made me tremble..." (Plate 22)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. "And the Two that escaped..." (Plate 30)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. "Elevate into the Region of Brotherhood..." (Plate 34)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. "Reuben return'd to his place, in vain..." (Plate 36)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. "With one accord in love sublime..." (Plate 44)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. "In Great Eternity every particular Form..." (Plate 54)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. "When those who disregard all Mortal Things..." (Plate 55)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. "The secret coverts of Albion & the hidden places of America..." (Plate 49)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. "In beauty the Daughters of Albion divide..." (Plate 58)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. "The clouds of Albions Druid Temples..." (Plate 60)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. "Repose on me till the morning of the Grave..." (Plate 62)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. "By those who drink their blood & the blood of their Covenant..." (Plate 67)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Praying Man

Creator:: Attributed to Gangaram Chintaman Tambat, active 1790s
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 6 7/8 inches (21.3 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Hall, Rugby School

Creator:: John Gendall, 1790–1865
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and black ink and white gouache on medium, moderately textured, cream wove paper mounted to card
Dimensions:: Sheet: 8 1/4 × 10 7/8 inches (21 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Facade of the Royal Naval College, Greenwich

Creator:: James Holland, 1799–1870
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 5 3/4 inches (21.3 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Devotee in a Green Turban

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: ca. 1790
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 × 6 inches (22.9 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Portrait of Aazim Alomra

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 5 3/4 inches (21 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. A View of Core's Library, Dawlish, Devon

Creator:: John White Abbott, 1763–1851
Date:: 1837
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper, laid on contemporary mount
Dimensions:: Sheet: 5 1/4 x 8 inches (13.3 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Syon House: Chapel

Creator:: William Beilby, 1740–1819
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, white laid paper
Dimensions:: Sheet: 8 1/4 x 10 3/4 inches (21 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Alnwick Keep

Creator:: William Beilby, 1740–1819
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 10 3/4 inches (21.3 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Gateway Alnwick

Creator:: William Beilby, 1740–1819
Date:: 1786
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 10 7/8 inches (21.3 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Assignation

Creator:: Johann Heinrich Ramberg, 1763–1840
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 11 1/8 inches (21 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Ruins of the Savoy Palace, London

Creator:: Thomas Girtin, 1775–1802
Date:: undated
Materials & Techniques:: Pen in black ink with gray wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 12 1/4 inches (21 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Cobham Hall, Kent: Drawings of Windows for Parlor Floor

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 13 inches (21 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Paddle Steamer Near Weymouth

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, rough, cream wove paper
Dimensions:: Sheet: 8 3/8 × 10 1/2 inches (21.3 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Lago Fucino

Creator:: Charles Gore, 1729–1807
Date:: 1776
Materials & Techniques:: Watercolor, pen and black ink, and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 36 inches (20.6 × 91.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Warbler: Reed Wren

Creator:: William Lewin, 1747–1795
Date:: before 1790
Materials & Techniques:: Watercolor, gouache, graphite and pen and black ink on medium, smooth, white vellum
Dimensions:: Sheet: 8 1/8 × 6 5/8 inches (20.6 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Abstract Figure Study

Creator:: Wyndham Lewis, 1882–1957
Date:: 1921
Materials & Techniques:: Pen and black ink with white gouache on medium, smooth, cream wove printed paper
Dimensions:: Sheet: 10 3/8 x 6 7/8 inches (26.4 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

49. Country Folk with a Child, Beside a River

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, pen and gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 10 inches (21.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Falcon: Hen Krestel

Creator:: William Lewin, 1747–1795
Date:: before 1790
Materials & Techniques:: Watercolor, gouache, graphite and pen and black ink on medium, smooth white vellum
Dimensions:: Sheet: 8 1/4 × 6 3/4 inches (21 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Illustration to Pilgrim's Progress, 10. (The Pilgrim in the Armory)

Creator:: Henry Courtney Selous, 1811–1890
Date:: undated
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 12 5/16 inches (21.3 × 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Andrew Wilton

52. Autumn Trees by a Lake

Creator:: Joseph Barber, 1757–1811
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 10 3/8 inches (21.3 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. River Landscape with Bridge

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 11 5/8 inches (21 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

54. Thatched-roof Barn

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 12 3/4 inches (20.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905

55. Apollo and Phaeton

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Graphite, gray wash and pen and black ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/4 × 12 1/4 inches (21 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

56. The Prince Regent and the Moneylenders

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 13 1/8 inches (20.6 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Chepstow Castle

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 11 1/4 inches (20.6 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905

58. View of the Falls of Niagara

Creator:: Isaac Weld, 1774–1856
Date:: between 1795 and 1797
Materials & Techniques:: Pen, and black ink, gray ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 10 11/16 × 13 3/16 inches (27.1 × 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Letter with Sketches: a Man at a Table, a Man Pointing a Stick and Other Slight Sketches

Creator:: George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, and watercolor on medium, slightly textured, blue laid paper
Dimensions:: Sheet: 8 3/8 x 7 3/4in. (21.3 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. View of Niagara Falls with Two Figures Sitting on a Rock Center Foreground

Creator:: Isaac Weld, 1774–1856
Date:: between 1795 and 1797
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 8 3/8 × 11 1/8 inches (21.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Highway Robbery

Creator:: David Allan, 1744–1796
Date:: undated
Materials & Techniques:: Watercolor, pen, and black ink on medium, sightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 9 5/8 inches (20.6 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Winkle Street, Southampton

Creator:: George Shepheard, ca. 1770–1842
Date:: 1819
Materials & Techniques:: Watercolor, black ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 1/8 × 5 inches (20.6 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Duckinfield, Cheshire

Creator:: John Skippe, 1741–1812
Date:: 1772
Materials & Techniques:: Graphite, pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 14 7/8 inches (21 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Flight of James II

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: undated
Materials & Techniques:: Pen and gray ink, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 13 1/2 inches (21.3 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Basilica at Pergamon

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 3/16 x 21 1/4 inches (38.5 x 53.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Black ink, graphite, watercolor and gouache, verso: yellow gouache on medium, smooth, wove paper
Dimensions:: Sheet: 8 3/8 × 9 3/4 inches (21.3 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Black ink, graphite, watercolor and gouache, verso; white gouache on medium, smooth, beige wove paper
Dimensions:: Sheet: 8 1/4 × 5 inches (21 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Black ink, graphite, watercolor and gouache on thin, smooth, cream laid paper
Dimensions:: Sheet: 8 1/4 × 2 3/4 inches (21 × 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Black ink, graphite, watercolor and gouache on thin, smooth, cream laid paper
Dimensions:: Sheet: 8 1/8 × 3 5/8 inches (20.6 × 9.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Syon House

Creator:: William Beilby, 1740–1819
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink over graphite on moderately thick, slightly textured, white laid paper
Dimensions:: Sheet: 8 3/8 × 10 5/8 inches (21.3 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Alnwick Castle

Creator:: William Beilby, 1740–1819
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 8 3/16 x 10 7/16 inches (20.8 x 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Brick Bridge

Creator:: William Beilby, 1740–1819
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 10 7/8 inches (21 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Adrian Hope's House I: Plan of the Ground Floor

Creator:: Henry Phillip Hope, active 1799–1818
Date:: undated
Materials & Techniques:: Pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 8 3/8 × 7 11/16 inches (21.3 × 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Plan of the Mesquita of Cordova

Creator:: Henry Swinburne, 1743–1803
Date:: 1775 to 1776
Materials & Techniques:: Pen and black ink, gray ink, black wash, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/8 × 16 7/16 inches (28.3 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The Artist Assaulted by Time, Ignorance and Envy

Creator:: Mauritius Lowe, 1746–1793
Date:: between 1772 and 1790
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 x 10 5/8 inches (21.3 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Ruins at Pergamon, Probably of the Amphitheatre

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Watercolor with black ink over graphite on moderately thick, moderately textured, cream laid paper with gray wash
Dimensions:: Sheet: 14 15/16 x 21 1/4 inches (38 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. View of Ruins of the Asclepium at Pergamon

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black ink and gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 15/16 x 21 1/4 inches (37.9 x 53.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Chapel, Dirleton Castle, Scotland

Creator:: Daniel Wilson, 1816–1892
Date:: 1846
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 12 1/4 inches (21 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Study of a Kid

Creator:: James Ward, 1769–1859
Date:: 1796
Materials & Techniques:: Watercolor and white gouache with graphite and black ink on medium, slightly textured, beige laid paper mounted on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/8 x 6 1/8 inches (13.7 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. York Water Gate

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1795
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/16 × 11 3/4 inches (21.1 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Choir and Orchestra (A Choral Band)

Creator:: John Hamilton Mortimer, 1740–1779
Date:: 1776
Materials & Techniques:: Pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 11 1/8 inches (21 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. A Cave in Sunlight, with Figures

Creator:: William Payne, active 1850s
Date:: 1825
Materials & Techniques:: Watercolor, gouache, and pen and black ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 12 1/4 inches (21.3 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. On the Wye

Creator:: Pupil of William Payne, active 1850s
Date:: undated
Materials & Techniques:: Watercolor, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 12 1/8in. (21 x 30.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. South View of St. Neot's Bridge, Built About 1589 Out of the Ruins of the Priory

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/16 × 11 3/16 inches (20.5 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Design for London Bridge Approach

Creator:: Print made by Sir Robert Smirke the younger, 1781–1867
Date:: between 1827 and 1835
Materials & Techniques:: Gray wash over graphite and black ink on moderately thick, slightly textured, greened white wove paper
Dimensions:: Sheet: 8 1/4 x 18 1/16 inches (21 x 45.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The Village of Aldbury, Hertfordshire

Creator:: George Shepheard, ca. 1770–1842
Date:: 1816
Materials & Techniques:: Watercolor with pen and black ink and gouache over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 13 inches (20.7 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Village of Arima and Mount Tamana

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and black ink, gray wash, graphite, and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/8 × 11 inches (20.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Literary Characters Assembled Around the Medallion of Shakespeare

Creator:: John Hamilton Mortimer, 1740–1779
Date:: 1776
Materials & Techniques:: Pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 11 1/4 inches (21 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Strand Gateway, Winchelsea

Creator:: Henry Morton, ca. 1807–1825
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 10 inches (21 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Gateway to Battle Abbey

Creator:: Henry Morton, ca. 1807–1825
Date:: after 1819
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/16 × 11 7/16 inches (20.8 × 29.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Design for a Tudoresque Villa

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Design for a Tudoresque Villa

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/16 × 12 inches (21.4 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Portrait of Samuel Palmer, February 5, 1828

Creator:: George Richmond, 1809–1896
Date:: 1828
Materials & Techniques:: Graphite with pen and black ink on medium, slightly textured, cream wove paper 1828, on wove paper
Dimensions:: Sheet: 8 1/8 x 5 7/8 inches (20.6 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Eton College from the South

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 x 17 inches (21.3 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Chiaja of Naples from Posillipo

Creator:: Thomas Smith of Derby, ca. 1720–1767
Date:: ca. 1780
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, white laid paper
Dimensions:: Sheet: 8 7/16 x 15 3/4in. (21.4 x 40cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. View of the South Front of Hamilton Palace

Creator:: unknown artist
Date:: ca. 1800
Materials & Techniques:: Watercolor, pen, and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 12 3/4 inches (20.6 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Design for the Interior of a Room

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and brown and black ink, watercolor within multiple-ruled pen and brown ink border on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 11/16 × 19 inches (34.7 × 48.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Cartoon for "Gulliver Taking Leave of the Land of Houyhnhms"

Creator:: Sawrey Gilpin, 1733–1807
Date:: between 1768 and 1769
Materials & Techniques:: Graphite, pen and black ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 5/16 × 10 11/16 inches (21.1 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

100. Disproportioned Horse Drawing

Creator:: Sawrey Gilpin, 1733–1807
Date:: ca. 1760
Materials & Techniques:: Watercolor, graphite, pen and black ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 3/16 × 13 3/8 inches (20.8 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques black ink

Height [cm] 21

Search Results

1. "Repelling weeping Enion blind & age-bent..." (Plate 87)

2. "Then each an Arrow flaming from his Quiver..." (Plate 98)

3. "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)

4. "The Feminine separates from the Masculine..." (Plate 90)

5. "It is easier to forgive an enemy..." (Plate 91)

6. "Albion cold lays on his Rock..." (Plate 94)

7. "Awake! Awake Jerusalem..." (Plate 97)

8. "Then all the Males conjoined into One Male..." (Plate 69)

9. Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

10. "I have mock'd those who refused cruelty..." (Plate 81)

11. "Became a Space & an Allegory..." (Plate 85)

12. "I see thy Form O lovely mild Jerusalem..." (Plate 86)

13. "O Skofield why art thou cruel?..." (Plate 68)

14. "Highgates heights & Hampsteads..." (Plate 84)

15. "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

16. Frontispiece, Europe. A Prophecy

17. "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

18. "His Spectre divides & Los in fury compells it to divide..." (Plate 17)

19. "Albion thy fear has made me tremble..." (Plate 22)

20. "And the Two that escaped..." (Plate 30)

21. "Elevate into the Region of Brotherhood..." (Plate 34)

22. "Reuben return'd to his place, in vain..." (Plate 36)

23. "With one accord in love sublime..." (Plate 44)

24. "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

25. "In Great Eternity every particular Form..." (Plate 54)

26. "When those who disregard all Mortal Things..." (Plate 55)

27. "The secret coverts of Albion & the hidden places of America..." (Plate 49)

28. "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

29. "In beauty the Daughters of Albion divide..." (Plate 58)

30. "The clouds of Albions Druid Temples..." (Plate 60)

31. "Repose on me till the morning of the Grave..." (Plate 62)

32. "By those who drink their blood & the blood of their Covenant..." (Plate 67)

33. Praying Man

34. The Hall, Rugby School

35. The Facade of the Royal Naval College, Greenwich

36. Devotee in a Green Turban

37. Portrait of Aazim Alomra

38. A View of Core's Library, Dawlish, Devon

39. Syon House: Chapel

40. Alnwick Keep

41. Gateway Alnwick

42. The Assignation

43. Ruins of the Savoy Palace, London

44. Cobham Hall, Kent: Drawings of Windows for Parlor Floor

45. Paddle Steamer Near Weymouth

46. Lago Fucino

47. Warbler: Reed Wren

48. Abstract Figure Study

49. Country Folk with a Child, Beside a River

50. Falcon: Hen Krestel

51. Illustration to Pilgrim's Progress, 10. (The Pilgrim in the Armory)

52. Autumn Trees by a Lake

53. River Landscape with Bridge

54. Thatched-roof Barn

55. Apollo and Phaeton

56. The Prince Regent and the Moneylenders

57. Chepstow Castle

58. View of the Falls of Niagara

59. Letter with Sketches: a Man at a Table, a Man Pointing a Stick and Other Slight Sketches

60. View of Niagara Falls with Two Figures Sitting on a Rock Center Foreground

61. The Highway Robbery

62. Winkle Street, Southampton

63. Duckinfield, Cheshire

64. Flight of James II

65. The Basilica at Pergamon

66. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

67. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

68. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

69. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

70. Syon House

71. Alnwick Castle

72. Brick Bridge

73. Adrian Hope's House I: Plan of the Ground Floor

74. Plan of the Mesquita of Cordova