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Materials & Techniques black ink

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Height [cm] 19

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Subject Terms horses (animals)

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"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/16 × 10 7/16 inches (18.6 × 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Meet: a Lady Rider Converses with a Gentleman Standing by His Horse...
Creator:
John Wootton, 1682–1764
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 × 6 13/16 inches (19.4 × 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 10 5/16 inches (18.7 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Netting Partridges
Creator:
Thomas Ross, active from 1753
Date:
ca. 1750
Materials & Techniques:
Pen and black ink, gray ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 9/16 × 11 13/16 inches (19.2 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 10 7/8 inches (20.6 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/16 × 10 13/16 inches (21.1 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/16 × 10 7/8 inches (20.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/16 × 10 7/8 inches (20.5 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/16 × 10 3/4 inches (20.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 10 13/16 inches (20.6 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Review on Blackheath, May 1785
Creator:
Thomas Rowlandson, 1756–1827
Date:
1785
Materials & Techniques:
Watercolor with pen and black ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 9/16 x 13 inches (19.2 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Chaise and Pair, With Post-Boy
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Pen and gray ink, black ink, gray wash, graphite, and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 14 3/4 inches (18.7 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Return from the Hunt
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Watercolor, pen and gray ink, and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 8 1/16 x 11 7/8 inches (20.5 x 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rustic Scene: man fishing, left; cottage with water-mill and horses right
Creator:
Peter La Cave, active 1769–1810
Date:
undated
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, white wove paper
Dimensions:
Sheet: 7 1/2 × 14 7/8 inches (19.1 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Gateway of Lancaster Castle
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1778
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Contemporary drawn border: 7 5/8 x 10 1/2 inches (19.4 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection