The Beginning of Poesy. The Blind Begging Bard (Design 41)
between 1797 and 1798
3
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
4
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
5
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
6
William Blake, 1757–1827
A Welch Bard (Design 53)
between 1797 and 1798
7
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
8
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
9
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
10
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
11
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
12
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
13
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
14
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
15
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
16
William Blake, 1757–1827
A Widower and Children (Design 35)
between 1797 and 1798
17
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
18
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
19
William Blake, 1757–1827
The Mourner at the Tomb (Design 103)
between 1797 and 1798
20
William Blake, 1757–1827
The Author Writing (Design 105)
between 1797 and 1798
21
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
22
William Blake, 1757–1827
Title Page, The Pindaric Genius Receiving His Lyre (Design 1)
between 1797 and 1798
23
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
24
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
25
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
26
Print made by William Blake, 1757–1827
Chapter 4 Frontispiece (Plate 76)
1804 to 1820
27
William Blake, 1757–1827
The Purple Year awaking from the Roots of Nature (Design 3)
between 1797 and 1798
28
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
29
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
30
Sir Horace Jones, 1819–1887
Part of Goodrich Castle
1842
31
William Henry Hunt, 1790–1864
Portrait of a Man
ca. 1820
32
attributed to Thomas Barker, 1769–1847
Man in a Blue Cloak
undated
33
Louis Philippe Boitard, active 1734–1760
Man Asleep in a Bunk on Board a Ship
undated
34
Michel Vincent Brandoin, 1733–1807
Shepherd, Shepherdess and Dog
undated
35
Samuel Wale, 1721–1786
Murder in the Carriage (Probably a Design for The Tyburn Chronicle)
undated
36
Paul Sandby, 1731–1809
Couple in a Farmyard
1782
37
Robert Mabon, died 1798
A Waterman with his Ox or Bullock
undated
38
John Gantz, 1772–1853
Air Man, July 10, 1828
1828
39
John Taylor, 1739–1838
Study of a Man Asleep on a Bench
undated
40
Julius Tidd, active 1773–1779
A Bridal Pair (Figures copied from Hogarth's Rake's Progress)
1780
41
Louis Philippe Boitard, active 1734–1760
Man in Ragged Clothes Seated with Right Arm Over Another Chair
undated
42
Francis Wheatley, 1747–1801
The Rustic Lover
1786
43
Alfred William Hunt, 1830–1896
Tynemouth Pier - Lighting the Lamps at Sundown
1868
44
Attributed to John Martin, 1789–1854
Lot Fleeing Sodom
undated
45
Attributed to John Martin, 1789–1854
Daniel in the Den of Lions
undated
46
William Young Ottley, 1771–1836
Prospero Summoning Ariel
ca. 1800
47
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
48
Sir Max Beerbohm, 1872–1956
Messrs. Carfax
undated
49
Francis Le Piper, 1640–1698
A Portly Man in a Wide-Brimmed Hat
undated
50
Francis Le Piper, 1640–1698
A Man with a Bottle-Nose Wearing a Hat
undated
51
Paul Arthur Hogarth, 1917–2001
Costume Design
1961
52
Francis Le Piper, 1640–1698
A Sly Man in a Cap
undated
53
Francis Le Piper, 1640–1698
A Man in Eccentric Head Gear and Collar
undated
54
Attributed to Gilbert Stuart Newton, 1794–1835
Henry Fuseli
undated
55
George Morland, 1763–1804
Peasants Resting
1795
56
Henry Morton, ca. 1807–1825
Old Buildings at Hastings
after 1819
57
Henry Morton, ca. 1807–1825
Strand Gateway, Winchelsea
undated
58
Gangaram Chintaman Tambat, active 1790s
A Fool Named Gungarum [Gangaram]
ca. 1790
59
Robert Mabon, died 1798
A Hindu Austere
ca. 1792
60
Attributed to Gangaram Chintaman Tambat, active 1790s
Man with a Blue Cloth over his Legs
undated
61
Gangaram Chintaman Tambat, active 1790s
Jeytie Lifting Weights
undated
62
Gangaram Chintaman Tambat, active 1790s
Devotee in a Green Turban
ca. 1790
63
Robert Mabon, died 1798
Standing Dignitary
undated
64
Attributed to Gangaram Chintaman Tambat, active 1790s
Self-portrait of Gangaram as a Devotee
ca. 1790
65
J. Findlay, active 1825–1857
Peter Callam & Elvira
undated
66
Conrad Gessner, 1764–1826
Man Watering Four Horses
undated
67
William Hamilton, 1751–1801
Hero and Leander
1801
68
James Hook, ca. 1772–1828
A Regency Pair
1802
69
Francis Le Piper, 1640–1698
A Bearded Man Looking Down
undated
70
Louis Philippe Boitard, active 1734–1760
A Man Asleep with Hands Crossed in a Chair
undated
71
Louis Philippe Boitard, active 1734–1760
Man Asleep in a Long Blue Coat
undated
72
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
73
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
74
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
75
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
76
Alfred Henry Forrester, 1804–1872
Original Frontispiece for 'Book of Ballads' (Bon Gaultier)
ca. 1845
77
John Warwick Smith, 1749–1831
The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
July 14, 1792
78
unknown artist
Views in the Levant: Man on Horseback Approaching Gateway to a Town
ca. 1785
79
Adelaide Claxton, 1858–1905
Sentiment
undated
80
Francis Towne, 1740–1816
On the Dee
undated
81
circle of John Linnell, 1792–1882
The Messengers Tell Job of the Misfortunes that Have Befallen Him
undated
82
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards
undated
83
Samuel Howitt, 1756–1822
Woodcock Shooting
undated
84
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
85
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
86
James Seymour, 1702–1752
Foxhunting
undated
87
James Seymour, 1702–1752
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
undated
88
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
89
James Seymour, 1702–1752
A Lady and a Gentleman Riding Out
undated
90
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
91
James Seymour, 1702–1752
A Gentleman on a Managed Horse Riding Out With a Lady
undated
92
James Seymour, 1702–1752
The Famous Childers
undated
93
James Seymour, 1702–1752
Victorious
undated
94
Thomas Stothard, 1755–1834
February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
undated
95
Thomas Stothard, 1755–1834
March 1st: Listening to the Prattle of Her Attendant (Vol. 1, p. 127) March 2nd: I Will Sit on This Footstool at Thy Feet (Vol. 1, p. 148)
undated
96
Thomas Stothard, 1755–1834
August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)