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Materials & Techniques black ink

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Samuel Palmer Opening the Fold: Early Morning
Samuel Palmer, 1805–1881
Opening the Fold: Early Morning
ca. 1880
William Blake Jerusalem, Tailpiece (Plate 100)
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
William Blake Frontispiece, Europe. A Prophecy
Print made by William Blake, 1757–1827
Frontispiece, Europe. A Prophecy
ca. 1820
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
Print made by William Blake, 1757–1827
"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
1804 to 1820
William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
Print made by William Blake, 1757–1827
"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
1804 to 1820
William Blake "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
Print made by William Blake, 1757–1827
"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
1804 to 1820
William Blake "Highgates heights & Hampsteads..." (Plate 84)
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
William Blake "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
Print made by William Blake, 1757–1827
"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
1804 to 1820
William Blake "The Feminine separates from the Masculine..." (Plate 90)
Print made by William Blake, 1757–1827
"The Feminine separates from the Masculine..." (Plate 90)
1804 to 1820
William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
Print made by William Blake, 1757–1827
"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
1804 to 1820
William Blake "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
Print made by William Blake, 1757–1827
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)
1804 to 1820
William Blake "Albion cold lays on his Rock..." (Plate 94)
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
William Blake "Awake! Awake Jerusalem..." (Plate 97)
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
William Blake "Then each an Arrow flaming from his Quiver..." (Plate 98)
Print made by William Blake, 1757–1827
"Then each an Arrow flaming from his Quiver..." (Plate 98)
1804 to 1820
William Blake "In Great Eternity every particular Form..." (Plate 54)
Print made by William Blake, 1757–1827
"In Great Eternity every particular Form..." (Plate 54)
1804 to 1820
William Blake "When those who disregard all Mortal Things..." (Plate 55)
Print made by William Blake, 1757–1827
"When those who disregard all Mortal Things..." (Plate 55)
1804 to 1820
William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
William Blake "Jehovah stood among the Druids..." (Plate 63)
Print made by William Blake, 1757–1827
"Jehovah stood among the Druids..." (Plate 63)
1804 to 1820
William Blake "Of the Mundane Shell which froze..." (Plate 64)
Print made by William Blake, 1757–1827
"Of the Mundane Shell which froze..." (Plate 64)
1804 to 1820
William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)
Print made by William Blake, 1757–1827
"By those who drink their blood & the blood of their Covenant..." (Plate 67)
1804 to 1820
William Blake "I have mock'd those who refused cruelty..." (Plate 81)
Print made by William Blake, 1757–1827
"I have mock'd those who refused cruelty..." (Plate 81)
1804 to 1820
William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
Print made by William Blake, 1757–1827
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
1804 to 1820
William Blake "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
Print made by William Blake, 1757–1827
"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
1804 to 1820
William Blake "With one accord in love sublime..." (Plate 44)
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
William Blake "In beauty the Daughters of Albion divide..." (Plate 58)
Print made by William Blake, 1757–1827
"In beauty the Daughters of Albion divide..." (Plate 58)
1804 to 1820
William Blake "And formed into Four precious stones..." (Plate 59)
Print made by William Blake, 1757–1827
"And formed into Four precious stones..." (Plate 59)
1804 to 1820
William Blake "The clouds of Albions Druid Temples..." (Plate 60)
Print made by William Blake, 1757–1827
"The clouds of Albions Druid Temples..." (Plate 60)
1804 to 1820
William Blake "Repose on me till the morning of the Grave..." (Plate 62)
Print made by William Blake, 1757–1827
"Repose on me till the morning of the Grave..." (Plate 62)
1804 to 1820
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
William Blake "O Skofield why art thou cruel?..." (Plate 68)
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
William Blake "Such are Cathedrons golden Halls..." (Plate 73)
Print made by William Blake, 1757–1827
"Such are Cathedrons golden Halls..." (Plate 73)
1804 to 1820
William Blake "Became a Space & an Allegory..." (Plate 85)
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
William Blake "I see thy Form O lovely mild Jerusalem..." (Plate 86)
Print made by William Blake, 1757–1827
"I see thy Form O lovely mild Jerusalem..." (Plate 86)
1804 to 1820
William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)
Print made by William Blake, 1757–1827
"Repelling weeping Enion blind & age-bent..." (Plate 87)
1804 to 1820
William Blake "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
Print made by William Blake, 1757–1827
"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)
1804 to 1820
William Blake "It is easier to forgive an enemy..." (Plate 91)
Print made by William Blake, 1757–1827
"It is easier to forgive an enemy..." (Plate 91)
1804 to 1820
William Blake "Turning his back to the Divine Vision..." (Plate 33)
Print made by William Blake, 1757–1827
"Turning his back to the Divine Vision..." (Plate 33)
1804 to 1820
William Blake "Elevate into the Region of Brotherhood..." (Plate 34)
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
William Blake "Reuben return'd to his place, in vain..." (Plate 36)
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
William Blake "And the Two that escaped..." (Plate 30)
Print made by William Blake, 1757–1827
"And the Two that escaped..." (Plate 30)
1804 to 1820
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
unknown artist Battersea
unknown artist
Battersea
undated
John Boyne Malvolio: Possibly a Self-Portrait in the Role
John Boyne, ca. 1750–1810
Malvolio: Possibly a Self-Portrait in the Role
undated
Luigi Balugani Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits
ca. 1768
Henri Gaudier-Brzeska Study for a Mother and Child Grouping
Henri Gaudier-Brzeska, 1891–1915
Study for a Mother and Child Grouping
between 1910 and 1915
Henri Gaudier-Brzeska Study for a Mother and Child Grouping
Henri Gaudier-Brzeska, 1891–1915
Study for a Mother and Child Grouping
between 1910 and 1915
Thomas Rowlandson The Recruiting Officer
Thomas Rowlandson, 1756–1827
The Recruiting Officer
1797
unknown artist Sketch of Boats
unknown artist
Sketch of Boats
undated
Thomas Sandby A Rowing Boat
Thomas Sandby, 1721–1798
A Rowing Boat
undated
James Bruce Sketch of Man, Woman and Child
James Bruce, 1730–1794
Sketch of Man, Woman and Child
undated
Sawrey Gilpin Two Tigers
Sawrey Gilpin, 1733–1807
Two Tigers
1760
Samuel Wale Guys Hospital
Samuel Wale, 1721–1786
Guys Hospital
undated
Sir David Wilkie A Group of Women at Mass
Sir David Wilkie, 1785–1841
A Group of Women at Mass
undated
Edward Francis Burney Theatrical Scene
Edward Francis Burney, 1760–1848
Theatrical Scene
undated
Edward Francis Burney Female Figure carrying Water Jug on her Head
Edward Francis Burney, 1760–1848
Female Figure carrying Water Jug on her Head
undated
William Swainson Rufous Necked Falcon
William Swainson, 1789–1855
Rufous Necked Falcon
ca. 1837
Isaac Weld View of Niagara Falls with Two Figures Sitting on a Rock Center Foreground
Isaac Weld, 1774–1856
View of Niagara Falls with Two Figures Sitting on a Rock Center Foreground
between 1795 and 1797
Pierre-Etienne Falconet George Stubbs
Pierre-Etienne Falconet, 1741–1791
George Stubbs
undated
Robert Mabon William Lee, October 1, 1792
Robert Mabon, died 1798
William Lee, October 1, 1792
1792
unknown artist Portrait of Aazim Alomra
unknown artist
Portrait of Aazim Alomra
undated
Susannah Wales, Lady Malet A Cheetah Hunting Party with Charles Warre Malet
Susannah Wales, Lady Malet, 1779–1868
A Cheetah Hunting Party with Charles Warre Malet
undated
Sadanand Vyas A Parsi Priest or Adam
Sadanand Vyas, active late 18th century
A Parsi Priest or Adam
undated
Gangaram Chintaman Tambat Devotee in a Green Turban
Gangaram Chintaman Tambat, active 1790s
Devotee in a Green Turban
ca. 1790
Sadanand Vyas A Lewsa of Jettee - A Kind of Hindu Monk
Sadanand Vyas, active late 18th century
A Lewsa of Jettee - A Kind of Hindu Monk
undated
Gangaram Chintaman Tambat Man with a Black Shawl
Attributed to Gangaram Chintaman Tambat, active 1790s
Man with a Black Shawl
undated
Gangaram Chintaman Tambat Man with Prayer Beads
Attributed to Gangaram Chintaman Tambat, active 1790s
Man with Prayer Beads
undated
Gangaram Chintaman Tambat Child with a Red Cloth
Attributed to Gangaram Chintaman Tambat, active 1790s
Child with a Red Cloth
undated
Gangaram Chintaman Tambat Man with a Blue Cloth over his Legs
Attributed to Gangaram Chintaman Tambat, active 1790s
Man with a Blue Cloth over his Legs
undated
Gangaram Chintaman Tambat Self-portrait of Gangaram as a Devotee
Attributed to Gangaram Chintaman Tambat, active 1790s
Self-portrait of Gangaram as a Devotee
ca. 1790
Gangaram Chintaman Tambat Man with a Yellow Shawl Sitting Crosslegged
Gangaram Chintaman Tambat, active 1790s
Man with a Yellow Shawl Sitting Crosslegged
undated
J. Findlay Sir Violet Sighaway & Mr. Villiers
J. Findlay, active 1825–1857
Sir Violet Sighaway & Mr. Villiers
undated
Sadanand Vyas A Gosain - A Tribe of Hindu Religious Beggars
Sadanand Vyas, active late 18th century
A Gosain - A Tribe of Hindu Religious Beggars
undated
Henri Gaudier-Brzeska Six Studies of Dancing Figures
Henri Gaudier-Brzeska, 1891–1915
Six Studies of Dancing Figures
between 1910 and 1915
Henri Gaudier-Brzeska Four Studies of Dancing Figures
Henri Gaudier-Brzeska, 1891–1915
Four Studies of Dancing Figures
between 1910 and 1915
Robert Mabon A Durbar Scene, Poona, October 3, 1792
Robert Mabon, died 1798
A Durbar Scene, Poona, October 3, 1792
1792
Henry Swinburne Crypt of St. Oswald's Church, Malpas, England
Henry Swinburne, 1743–1803
Crypt of St. Oswald's Church, Malpas, England
undated
Henry Swinburne View of the Road Near Borchetta
Henry Swinburne, 1743–1803
View of the Road Near Borchetta
undated
Henry Swinburne Landscape View of a Ruined Castle with River, Wooden Bridge and a Figure, Fishing
Henry Swinburne, 1743–1803
Landscape View of a Ruined Castle with River, Wooden Bridge and a Figure, Fishing
undated
Henry Swinburne Vue de la Colline Entre le Tonnelles & Lar Prês de Spa
Henry Swinburne, 1743–1803
Vue de la Colline Entre le Tonnelles & Lar Prês de Spa
undated
J. Findlay Peter Callam & Elvira
J. Findlay, active 1825–1857
Peter Callam & Elvira
undated
James Holland The Facade of the Royal Naval College, Greenwich
James Holland, 1799–1870
The Facade of the Royal Naval College, Greenwich
undated
Robert Mabon A Cheetah killing an Antelope
Robert Mabon, died 1798
A Cheetah killing an Antelope
undated
Robert Mabon Standing Dignitary
Robert Mabon, died 1798
Standing Dignitary
undated
Gangaram Chintaman Tambat Portrait of a Priest of the Borahs [Bohras]
Attributed to Gangaram Chintaman Tambat, active 1790s
Portrait of a Priest of the Borahs [Bohras]
1794
Henry Phillip Hope Adrian Hope's House I: Plan of the Attic Floor
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Plan of the Attic Floor
undated
Henry Phillip Hope Adrian Hope's House I: Plan of the Chamber Floor
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Plan of the Chamber Floor
undated
Samuel Wale Sion House
Samuel Wale, 1721–1786
Sion House
undated
Francis Barlow Illustration to Aesop's Fables: The Fox & the Crane
Follower of Francis Barlow, 1622–1704
Illustration to Aesop's Fables: The Fox & the Crane
undated
Samuel Wale The Offer
Samuel Wale, 1721–1786
The Offer
undated
Francis Wheatley Fisherfolk with Baskets and Nets
Francis Wheatley, 1747–1801
Fisherfolk with Baskets and Nets
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated