Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
903
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
904
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
905
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
906
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
907
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
908
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
909
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
910
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
911
Attributed to office of Sir John Soane, 1753–1837
Plan of the Ground Floor, House of Lords
1835
912
unknown artist
Peers' Entrance
undated
913
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
914
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
915
Attributed to office of Sir John Soane, 1753–1837
Plan of the Upper Floor of Lord Committee Rooms
1835
916
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
917
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
918
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
919
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
920
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
921
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
922
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
923
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
924
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
925
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
926
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
927
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
928
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
929
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
930
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
931
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
932
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
933
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
934
unknown artist
Survey view of a lobby, Palace of Westminster
undated
935
Francis Dodd, 1874–1949
Eton
undated
936
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Deer Hunting Mural
1912
937
John Piper, 1903–1992
Rievaulx Abbey, Yorkshire
1942
938
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
939
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
940
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
941
Michael Searles, 1750–1813
Design for a London Townhouse: Elevation
undated
942
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - A Struggle for the Start
undated
943
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
undated
944
Lionel Edwards, 1878–1966
The Quorn towards Ashby de la Zouch, Leicestershire
1919
945
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - The Death
undated
946
Possibly Henry Thomas Alken, 1785–1851
The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
undated
947
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
948
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
949
unknown artist
Mr. Lee's House After the Fire, House of Lords
ca. 1835
950
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
951
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
952
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
953
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
954
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
955
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
956
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
957
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
958
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
959
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
960
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
961
Thomas Rowlandson, 1756–1827
Doctor Syntax loses his Money on the Race Ground at York
1820
962
Thomas Rowlandson, 1756–1827
Vauxhall Gardens
ca. 1784
963
Thomas Rowlandson, 1756–1827
Bodmin Cornwall: The Arrival of the Stage-Coach
1795
964
Thomas Rowlandson, 1756–1827
Bradwell Lodge, Bradwell Quay, Essex
undated
965
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
966
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
967
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
968
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Concert
1798
969
Thomas Rowlandson, 1756–1827
Comforts of Bath: Coaches Arriving
1798
970
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Music Master
1798
971
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Pump Room
1798
972
Thomas Rowlandson, 1756–1827
Comforts of Bath: Private Practice Previous to the Ball
1798
973
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Ball
1798
974
Thomas Rowlandson, 1756–1827
Comforts of Bath: Gouty Persons Fall on Steep HIll
1798
975
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
976
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
977
Charles James Richardson, 1806–1871
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
978
unknown artist
Henry VII Chapel, Westminster Abbey
undated
979
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
980
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
981
Attributed to John Carter, 1748–1817
South Side of Princes Chamber West
between 1800 and 1807
982
Charles James Richardson, 1806–1871
Ceiling to Boudoir House in Old Palace Yard
1871
983
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
984
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
985
Charles James Richardson, 1806–1871
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
986
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
987
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
988
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
989
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
990
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
991
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
992
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
993
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
994
Thomas Rowlandson, 1756–1827
The Comforts of Bath: The Breakfast
1798
995
Thomas Rowlandson, 1756–1827
A Review in a Market Place
ca. 1790
996
Thomas Rowlandson, 1756–1827
Bodmin Cornwall: French Prisoners on Parole
1795
997
Thomas Rowlandson, 1756–1827
A Review on Blackheath, May 1785
1785
998
Drawing by Philippe-Jacques de Loutherbourg, 1740–1812
Drawing Study of a Man
1764
999
Thomas Rowlandson, 1756–1827
Stag at Bay - Scene near Taplow, Berks
between 1795 and 1801
1000
Capt. Francis Grose, 1731–1791
Folio of Views in Norfolk and Suffolk Flixton Old Chapel, near Lowestoft, Suffolk