Cobham Hall, Kent: Elevation of South Front of South Wing
undated
2
Richard Banks Harraden, 1778–1862
The Gate of Honour, Caius College, Cambridge
ca. 1840
3
John Howe, active 1838
The Great Fair in Hyde Park on the 28th of June 1838 to Celebrate the Coronation of her most gracious Majesty Queen Victoria the First
1838
4
unknown artist
Cobham Hall, Kent: Sketch for a bed
ca. 1790
5
unknown artist
Cobham Hall, Kent: Design for Dining Room Curtain
ca. 1790
6
unknown artist
Cobham Hall, Kent: Design for Dining Room Curtain
ca. 1790
7
Thomas Harrison, 1744–1829
Designs for Clifton Castle, Yorkshire: Two Alternative Elevations
undated
8
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Elevations and Ceiling Plan
undated
9
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Gallery - Plan and Elevations
undated
10
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan of Ceiling and Elevations
undated
11
Henry Phillip Hope, active 1799–1818
Bedgebury: Design for the Stone Floor of the Pavilion.. (1 of 4)
undated
12
unknown artist
Sketch I - Elevation of Pavilion Wall
undated
13
Henry Phillip Hope, active 1799–1818
Bedgeway: View of Interior of Pavilion... (4 of 4)
undated
14
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
undated
15
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Premiere Etage - Plan
undated
16
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
17
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
undated
18
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
undated
19
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine
undated
20
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
21
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
undated
22
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete
undated
23
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Facade du Petit Chateau de Brucourt, du Cote du Nord, avec l'Agrandissement Projete
undated
24
James Thomson, 1800–1883
Grittleton, West Front Elevation, No.5
1851
25
James Thomson, 1800–1883
Grittleton, East Front Elevation, No.7
1851
26
Augustus Welby Northmore Pugin, 1812–1852
Designs for a Gothic Lamp
1839
27
Richard Banks Harraden, 1778–1862
Jesus College, Cambridge
ca. 1830
28
Richard Banks Harraden, 1778–1862
Pembroke College, Cambridge
undated
29
Richard Banks Harraden, 1778–1862
Chapel Front, Emanuel College, Cambridge
ca. 1833
30
Richard Banks Harraden, 1778–1862
St. Peter's College, Cambridge
ca. 1830
31
Richard Banks Harraden, 1778–1862
Downing College, Cambridge
1830
32
Richard Banks Harraden, 1778–1862
Jesus College from the Meadows, Cambridge
ca. 1830
33
Richard Banks Harraden, 1778–1862
Emanuel College from St. Andrews Street, Cambridge
ca. 1830
34
Richard Banks Harraden, 1778–1862
New Building of St. John's from the Gardens, Cambridge
ca. 1830
35
Richard Banks Harraden, 1778–1862
Corpus Christi College, Cambridge
1836
36
Richard Banks Harraden, 1778–1862
Warwick Vase, Public Library, Cambridge
1842
37
Stephen Riou, 1720–1780
Design for a villa: `The Ground Plan and Elevations of a Villa'
1770
38
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
39
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
40
Stephen Riou, 1720–1780
Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan
1763
41
Lewis Kennedy, active 1775–1811
Flower Garden at Middleton Park, Oxfordshire
1811
42
unknown artist
A View of Hyde Park from Ennismore Gardens
ca. 1830
43
Henry Phillip Hope, active 1799–1818
Facade of Three Bay Late Georgian House
undated
44
Henry Phillip Hope, active 1799–1818
Perspective View of Henry Phillip Hope's Arklow House in Connaught Place
undated
45
Henry Phillip Hope, active 1799–1818
Plan of Private Entrance from the Uxbridge Road (Arklow House)
undated
46
Henry Phillip Hope, active 1799–1818
Left Side of the China Cabinet in the Drawing Room (Arklow House)
undated
47
Henry Phillip Hope, active 1799–1818
Plan of Bedroom (Arklow House)
undated
48
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene
undated
49
unknown artist
View of the North West Front of the Deepdene
undated
50
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene - Elevation
undated
51
unknown artist
View of the South East or Entrance Front seen from the East, Deepdene
undated
52
unknown artist
Gateway at the Deepdene - East Side
undated
53
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Entrance Hall Towards Staircase
undated
54
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan and Wall Elevations
undated
55
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library - Plan of Ceiling and Elevations of Walls.
undated
56
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet
undated
57
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library and Mr. Coevelt' s Bedroom - Plan and Wall Elevations of Library
undated
58
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Plan and Elevations of Walls
undated
59
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Elevations and Ceiling Plan
undated
60
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan and Elevations
undated
61
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Furniture Designs
undated
62
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Chamber Floor Bedroom over Anteroom - Plan of Ceiling and Wall Elevations
undated
63
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Corner Bedrooom on Chamber Floor - Elevations and Ceiling Plan
undated
64
unknown artist
Design for Table - Elevation, View of Top, View of base
ca. 1835
65
unknown artist
Badgebury House, South East Front - Elevation
1841
66
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Rez-de-Chaussee - Plan
undated
67
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)
undated
68
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours
undated
69
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
70
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
undated
71
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
undated
72
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
73
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
74
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
75
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
76
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
77
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
78
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
79
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Room
ca. 1790
80
James Wyatt, 1746–1813
Cobham Hall, Kent: Dressing Room Ceiling
ca. 1790
81
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation and Plans of the Windows, Attic and Staircase
ca. 1790
82
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of House with Alternative Design for Pediment
ca. 1790
83
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of the Office
ca. 1790
84
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the Dining Parlor
ca. 1790
85
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Courtyard
ca. 1790
86
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Hallway
ca. 1790
87
unknown artist
Architectural Plans for Edington Church, Wiltshire
ca. 1825
88
Edward Walhouse Mark, 1817–1895
The Doric Order
undated
89
Edward Walhouse Mark, 1817–1895
The Ionic Order
undated
90
unknown artist
Design for a Classical House
undated
91
unknown artist
Hinton St. George, Somerset: Plan of the Vestibule
undated
92
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
93
John Yenn, 1750–1821
Design for a Doorway
ca. 1781
94
John Yenn, 1750–1821
Design for a Doorway
1781
95
John Yenn, 1750–1821
Design for a Doorway
1781
96
George Richardson, ca.1738–ca.1813
Design for a Chimney Piece
1773
97
Thomas Malton, 1726–1801
North Front of the Chapel and Hall of Greenwich Hospital