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Materials & Techniques black ink

Period 19th century

Work Type drawing

Francis Danby Oberon and Titania

Francis Danby, 1793–1861

Oberon and Titania

1837

Robert Polhill Bevan A Harrow in the Orchard

Robert Polhill Bevan, 1865–1925

A Harrow in the Orchard

ca. 1896

John Constable Brighton Beach Looking West

John Constable, 1776–1837

Brighton Beach Looking West

undated

John Constable A View on the Orwell

attributed to John Constable, 1776–1837

A View on the Orwell

undated

Samuel Palmer The Valley of Vision

Samuel Palmer, 1805–1881

The Valley of Vision

undated

Samuel Palmer A Cow Lodge with a Mossy Roof

Samuel Palmer, 1805–1881

A Cow Lodge with a Mossy Roof

ca. 1829

Samuel Palmer Cornfield and Church by Moonlight

Samuel Palmer, 1805–1881

Cornfield and Church by Moonlight

early 1830s

Samuel Palmer Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq.

Samuel Palmer, 1805–1881

Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq

ca. 1840

Samuel Palmer A Cottage among Trees, Shoreham

Samuel Palmer, 1805–1881

A Cottage among Trees, Shoreham

undated

Samuel Palmer An Ancient Barn at Shoreham

Samuel Palmer, 1805–1881

An Ancient Barn at Shoreham

undated

Samuel Palmer Opening the Fold: Early Morning

Samuel Palmer, 1805–1881

Opening the Fold: Early Morning

ca. 1880

Samuel Palmer The Timber Wain

Samuel Palmer, 1805–1881

The Timber Wain

between 1833 and 1834

Joseph Mallord William Turner Ship Aground, Brighton, with the Chain Pier Beyond

Joseph Mallord William Turner, 1775–1851

Ship Aground, Brighton, with the Chain Pier Beyond

1830

Joseph Mallord William Turner Rome from Monte Mario

Joseph Mallord William Turner, 1775–1851

Rome from Monte Mario

ca. 1818

Joseph Mallord William Turner View of Hampton Court, Herefordshire, from the Northwest

Joseph Mallord William Turner, 1775–1851

View of Hampton Court, Herefordshire, from the Northwest

ca. 1806

Joseph Mallord William Turner Barnard Castle

Joseph Mallord William Turner, 1775–1851

Barnard Castle

ca. 1825

Joseph Mallord William Turner Andernach

Joseph Mallord William Turner, 1775–1851

Andernach

1817

Joseph Mallord William Turner Lake Geneva and Mount Blanc

Joseph Mallord William Turner, 1775–1851

Lake Geneva and Mount Blanc

1802 to 1805

Joseph Mallord William Turner Leeds

Joseph Mallord William Turner, 1775–1851

Leeds

1816

Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

Edward Lear, 1812–1888

Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'

undated

Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

Edward Lear, 1812–1888

Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'

undated

Edward Lear Abu Seer

Edward Lear, 1812–1888

Abu Seer

1867

Edward Lear Abu Seer

Edward Lear, 1812–1888

Abu Seer

1867

Edward Lear Abu Seer

Edward Lear, 1812–1888

Abu Seer

1867

Edward Lear Near Daboad

Edward Lear, 1812–1888

Near Daboad

1867

Edward Lear Shelaal, 2:30 am, 29 January 1867 (260)

Edward Lear, 1812–1888

Shelaal, 2:30 am, 29 January 1867 (260)

1867

Edward Lear Shelaal, 5:30 am, 29 January 1867 (264)

Edward Lear, 1812–1888

Shelaal, 5:30 am, 29 January 1867 (264)

1867

Edward Lear Near Aswan

Edward Lear, 1812–1888

Near Aswan

1867

Edward Lear Negadeh

Edward Lear, 1812–1888

Negadeh

1867

Edward Lear Karnak, 9:30 pm, 22 January 1867 (212)

Edward Lear, 1812–1888

Karnak, 9:30 pm, 22 January 1867 (212)

1867

Edward Lear Karnak, 10:00 pm, 22 January 1867 (213)

Edward Lear, 1812–1888

Karnak, 10:00 pm, 22 January 1867 (213)

1867

Edward Lear El Areesh (Torrens Ægypti)

Edward Lear, 1812–1888

El Areesh (Torrens Ægypti)

1867

Edward Lear Near Khan Yunas

Edward Lear, 1812–1888

Near Khan Yunas

1867

Edward Lear River pass, between barren rock cliffs

Edward Lear, 1812–1888

River pass, between barren rock cliffs

1867

Edward Lear Brown's Parakeet

after Edward Lear, 1812–1888

Brown's Parakeet

1832

Edward Lear Catania

Edward Lear, 1812–1888

Catania

1847

Edward Lear Strongyli

Edward Lear, 1812–1888

Strongyli

May 4, 1864

Edward Lear The Dead Sea, 16 and 17 April 1858

Edward Lear, 1812–1888

The Dead Sea, 16 and 17 April 1858

April 16 and 17, 1858

Edward Lear Gebel Sheikh Eredi

Edward Lear, 1812–1888

Gebel Sheikh Eredi

1867

Edward Lear Near Gezir Shendowiel

Edward Lear, 1812–1888

Near Gezir Shendowiel

1867

Edward Lear Just above Ekhmim

Edward Lear, 1812–1888

Just above Ekhmim

1867

Edward Lear Abydos, 1:00 pm, 12 January 1867 (134)

Edward Lear, 1812–1888

Abydos, 1:00 pm, 12 January 1867 (134)

1867

Edward Lear The Capo Sant' Angelo, Amalfi

Edward Lear, 1812–1888

The Capo Sant' Angelo, Amalfi

ca. 1885

Edward Lear Bavella, Corsica

Edward Lear, 1812–1888

Bavella, Corsica

ca. 1868

Edward Lear Abu Simbel, 11-11:30 am, 8 February 1867 (374)

Edward Lear, 1812–1888

Abu Simbel, 11-11:30 am, 8 February 1867 (374)

1867

William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

Print made by William Blake, 1757–1827

"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

1804 to 1820

William Blake "Jehovah stood among the Druids..." (Plate 63)

Print made by William Blake, 1757–1827

"Jehovah stood among the Druids..." (Plate 63)

1804 to 1820

William Blake "In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

Print made by William Blake, 1757–1827

"In awful pomp & gold, in all the precious unhewn stones of Eden..." (Plate 66)

1804 to 1820

William Blake "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

Print made by William Blake, 1757–1827

"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)

1804 to 1820

William Blake "Such are Cathedrons golden Halls..." (Plate 73)

Print made by William Blake, 1757–1827

"Such are Cathedrons golden Halls..." (Plate 73)

1804 to 1820

William Blake "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)

Print made by William Blake, 1757–1827

"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)

1804 to 1820

William Blake "Repose on me till the morning of the Grave..." (Plate 62)

Print made by William Blake, 1757–1827

"Repose on me till the morning of the Grave..." (Plate 62)

1804 to 1820

William Blake "Of the Mundane Shell which froze..." (Plate 64)

Print made by William Blake, 1757–1827

"Of the Mundane Shell which froze..." (Plate 64)

1804 to 1820

William Blake "To decide Two Worlds with a great decision..." (Plate 65)

Print made by William Blake, 1757–1827

"To decide Two Worlds with a great decision..." (Plate 65)

1804 to 1820

William Blake "The clouds of Albions Druid Temples..." (Plate 60)

Print made by William Blake, 1757–1827

"The clouds of Albions Druid Temples..." (Plate 60)

1804 to 1820

William Blake "By those who drink their blood & the blood of their Covenant..." (Plate 67)

Print made by William Blake, 1757–1827

"By those who drink their blood & the blood of their Covenant..." (Plate 67)

1804 to 1820

William Blake "O Skofield why art thou cruel?..." (Plate 68)

Print made by William Blake, 1757–1827

"O Skofield why art thou cruel?..." (Plate 68)

1804 to 1820

William Blake "Then all the Males conjoined into One Male..." (Plate 69)

Print made by William Blake, 1757–1827

"Then all the Males conjoined into One Male..." (Plate 69)

1804 to 1820

William Blake "Was living: panting like a frighted wolf..." (Plate 7)

Print made by William Blake, 1757–1827

"Was living: panting like a frighted wolf..." (Plate 7)

1804 to 1820

William Blake "And this the form of mighty Hand..." (Plate 70)

Print made by William Blake, 1757–1827

"And this the form of mighty Hand..." (Plate 70)

1804 to 1820

William Blake "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)

Print made by William Blake, 1757–1827

"And above Albions Land was seen the Heavenly Canaan..." (Plate 71)

1804 to 1820

William Blake "Her voice pierc'd Albions clay cold ear..." (Plate 95)

Print made by William Blake, 1757–1827

"Her voice pierc'd Albions clay cold ear..." (Plate 95)

1804 to 1820

William Blake "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

Print made by William Blake, 1757–1827

"Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

1804 to 1820

William Blake Jerusalem, Plate 28 Proof Impression

Print made by William Blake, 1757–1827

Jerusalem, Plate 28 Proof Impression

ca. 1820

William Blake Frontispiece, Europe. A Prophecy

Print made by William Blake, 1757–1827

Frontispiece, Europe. A Prophecy

ca. 1820

William Blake "And that toward Eden, four..." (Plate 13)

Print made by William Blake, 1757–1827

"And that toward Eden, four..." (Plate 13)

1804 to 1820

William Blake "Reuben return'd to his place, in vain..." (Plate 36)

Print made by William Blake, 1757–1827

"Reuben return'd to his place, in vain..." (Plate 36)

1804 to 1820

William Blake "And One stood forth from the Divine Family..." (Plate 37)

Print made by William Blake, 1757–1827

"And One stood forth from the Divine Family..." (Plate 37)

1804 to 1820

William Blake "His face and bosom with petrific hardness..." (Plate 38)

Print made by William Blake, 1757–1827

"His face and bosom with petrific hardness..." (Plate 38)

1804 to 1820

William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)

Print made by William Blake, 1757–1827

"By Satan's Watch-fiends tho' they search..." (Plate 39)

1804 to 1820

William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

Print made by William Blake, 1757–1827

"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)

1804 to 1820

William Blake "They saw their Wheels rising up poisonous..." (Plate 43)

Print made by William Blake, 1757–1827

"They saw their Wheels rising up poisonous..." (Plate 43)

1804 to 1820

William Blake "With one accord in love sublime..." (Plate 44)

Print made by William Blake, 1757–1827

"With one accord in love sublime..." (Plate 44)

1804 to 1820

William Blake "Bath, healing City!..." (Plate 45)

Print made by William Blake, 1757–1827

"Bath, healing City!..." (Plate 45)

1804 to 1820

William Blake "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

Print made by William Blake, 1757–1827

"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

1804 to 1820

William Blake "These were his last words, and the merciful Saviour in his arms..." (Plate 48)

Print made by William Blake, 1757–1827

"These were his last words, and the merciful Saviour in his arms..." (Plate 48)

1804 to 1820

William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)

Print made by William Blake, 1757–1827

"The secret coverts of Albion & the hidden places of America..." (Plate 49)

1804 to 1820

William Blake "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

Print made by William Blake, 1757–1827

"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)

1804 to 1820

William Blake "The Four Zoa's clouded rage..." (Plate 74)

Print made by William Blake, 1757–1827

"The Four Zoa's clouded rage..." (Plate 74)

1804 to 1820

William Blake Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

Print made by William Blake, 1757–1827

Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

1804 to 1820

William Blake "My tents are fall'n! my pillars are in ruins!..." (Plate 79)

Print made by William Blake, 1757–1827

"My tents are fall'n! my pillars are in ruins!..." (Plate 79)

1804 to 1820

William Blake "Rose up against me thundering..." (Plate 8)

Print made by William Blake, 1757–1827

"Rose up against me thundering..." (Plate 8)

1804 to 1820

William Blake "I have heard Jerusalems groans..." (Plate 82)

Print made by William Blake, 1757–1827

"I have heard Jerusalems groans..." (Plate 82)

1804 to 1820

William Blake "Corruptability appears upon thy limbs..." (Plate 83)

Print made by William Blake, 1757–1827

"Corruptability appears upon thy limbs..." (Plate 83)

1804 to 1820

William Blake "Highgates heights & Hampsteads..." (Plate 84)

Print made by William Blake, 1757–1827

"Highgates heights & Hampsteads..." (Plate 84)

1804 to 1820

William Blake "I see thy Form O lovely mild Jerusalem..." (Plate 86)

Print made by William Blake, 1757–1827

"I see thy Form O lovely mild Jerusalem..." (Plate 86)

1804 to 1820

William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)

Print made by William Blake, 1757–1827

"Repelling weeping Enion blind & age-bent..." (Plate 87)

1804 to 1820

William Blake "The Feminine separates from the Masculine..." (Plate 90)

Print made by William Blake, 1757–1827

"The Feminine separates from the Masculine..." (Plate 90)

1804 to 1820

William Blake "It is easier to forgive an enemy..." (Plate 91)

Print made by William Blake, 1757–1827

"It is easier to forgive an enemy..." (Plate 91)

1804 to 1820

William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)

Print made by William Blake, 1757–1827

"What do I see! The Briton Saxon Roman Norman..." (Plate 92)

1804 to 1820

William Blake "Then each an Arrow flaming from his Quiver..." (Plate 98)

Print made by William Blake, 1757–1827

"Then each an Arrow flaming from his Quiver..." (Plate 98)

1804 to 1820

William Blake Jerusalem, Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

Jerusalem, Frontispiece (Plate 1)

1804 to 1820

William Blake Jerusalem, Tailpiece (Plate 100)

Print made by William Blake, 1757–1827

Jerusalem, Tailpiece (Plate 100)

1804 to 1820

William Blake "To labours mighty, with vast strength..." (Plate 11)

Print made by William Blake, 1757–1827

"To labours mighty, with vast strength..." (Plate 11)

1804 to 1820

William Blake "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)

Print made by William Blake, 1757–1827

"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)

1804 to 1820

William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)

Print made by William Blake, 1757–1827

"His Spectre divides & Los in fury compells it to divide..." (Plate 17)

1804 to 1820

William Blake "His Children exil'd from his breast..." (Plate 19)

Print made by William Blake, 1757–1827

"His Children exil'd from his breast..." (Plate 19)

1804 to 1820

William Blake "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

Print made by William Blake, 1757–1827

"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

1804 to 1820

William Blake "Albion thy fear has made me tremble..." (Plate 22)

Print made by William Blake, 1757–1827

"Albion thy fear has made me tremble..." (Plate 22)

1804 to 1820

William Blake "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

Print made by William Blake, 1757–1827

"Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

1804 to 1820