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The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
40
Creator
Smirke the Younger, Robert, Sir, 1781–1867
23
Malton, James, 1761–1803
10
Cooper, Abraham, 1787–1868
2
Unknown artist
2
De, Wilde Samuel, 1748–1832
1
Henderson, John, 1764–1843
1
Hook, James, ca. 1772–1828
1
Nicholson, Peter, 1765–1844
1
Turner, J. M. W. (Joseph Mallord William), 1775–1851
1
Date
1796
307
1771
238
1745
237
1800
171
1773
136
1785
136
1804
130
1814
128
1775
115
1790
110
1772
100
1832
93
1700
91
1791
89
1797
86
1780
78
1799
74
1839
74
1789
64
1794
64
1763
63
1795
59
0
56
1705
56
1910
54
1793
53
1781
51
1827
47
1770
43
1807
42
1817
42
1802
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40
1825
39
1801
36
1830
36
1818
34
1768
33
1762
32
1767
31
1820
31
1811
30
1755
29
1765
28
1812
27
1823
27
1826
27
1776
26
1782
26
1787
26
1815
26
1748
25
1828
25
1761
24
1774
24
1798
24
1819
24
1715
22
1760
22
1783
22
1758
21
1759
21
1788
21
1792
21
1717
20
1778
20
1736
19
1740
19
1751
19
1753
19
1806
19
1867
19
1746
18
1805
18
1834
18
1857
18
1813
17
1822
17
1730
16
1764
16
1777
16
1784
16
1906
16
1712
15
1752
15
1779
15
1847
15
1848
15
1893
15
1749
14
1750
14
1843
14
1851
14
1810
13
1835
13
1900
13
1932
13
1803
12
1808
12
1756
11
1786
11
On-site Access
Accessible by appointment in the Study Room
40
Image Use
Free to Use
38
Under Certain Circumstances
2
Image Available
Available
40
Classification
Drawings & Watercolors
35
Drawing & Watercolors-Architectural
4
Creator Gender
male
40
unknown
2
Collective Title
A Collection of Continental Drawings, From a Set of Four Sketchbooks, 1802-1804
23
Period
19th century
40
Materials & Techniques
black ink
[remove]
40
graphite
38
pen
29
wove paper
26
gray wash
16
laid paper
13
brown wash
6
watercolor
6
brown ink
4
pens
3
aquatint
1
gray ink
1
marbling
1
red chalk
1
scraping out
1
Height [cm]
Height [cm] range begin
–
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Current results range from
9
to
91
Width [cm]
Width [cm] range begin
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Width [cm] range end
Current results range from
10
to
129
Work Type
drawing
40
watercolor
25
Genre
architectural subject
32
portrait
3
marine art
2
still life
2
cityscape
1
genre subject
1
landscape
1
Subject Terms
architectural subject
11
country house
7
home
4
house
4
retreat
4
rural
4
windows
4
Architectural design
3
Architectural rendering
3
country houses
3
design drawing
3
mullions
3
portrait
3
preparatory drawing
3
trees
3
Gothic Revival
2
Gothic architectural decoration
2
Gothic architectural drawing
2
Gothic architecture
2
cottage
2
more
Subject Terms
»
Associated Places
Agrigento
1
Basel
1
Europe
1
France
1
Geneva
1
Geneva, Lake
1
Glasgow
1
Italy
1
Mont Blanc
1
Paisley
1
Scotland
1
Sicily
1
Temple of Concordia
1
United Kingdom
1
Associated People
Cowslip (character in The Agreeable Surprise)
1
Hermione (character in The Winter's Tale)
1
Shakespeare, William (1564–1616), playwright and poet
1
Exhibition History
Magnificent Switzerland (Fondazione Thyssen-Bornemisza, 1991-08-01 - 1991-10-31)
2
Magnificent Switzerland (Museum of Art and History, Geneva, 1991-11-12 - 1992-02-02)
2
J.M.W. Turner, R.A.: The Great Watercolors (Royal Academy of Arts, 2000-12-02 - 2001-02-18)
1
Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10-20 - 1983-02-27)
1
Ruskin - Past: Present: Future (Yale Center for British Art, 2000-01-20 - 2000-02-27)
1
Turner Inspired - In the Light of Claude (The National Gallery, London, 2012-03-14 - 2012-06-05)
1
Unto This Last (Watts Gallery) (Watts Gallery Trust, 2020-03-10 - 2020-11-01)
1
Works of Splendor and Imagination - The Exhibition Watercolor 1770-1870 (Yale Center for British Art, 1981-09-16 - 1981-11-22)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
39
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse
1
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Materials & Techniques
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1
Joseph Mallord William Turner, 1775–1851
Lake Geneva and Mount Blanc
1802 to 1805
2
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
3
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
4
James Malton, 1761–1803
Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
1802
5
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
6
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
7
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
8
James Malton, 1761–1803
Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
1802
9
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
10
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
11
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
12
Samuel De Wilde, 1748–1832
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
13
James Hook, ca. 1772–1828
A Regency Pair
1802
14
Sir Robert Smirke the younger, 1781–1867
Studies of Drinking and Pouring Vessels, at the Vatican Library
1802-1804
15
Sir Robert Smirke the younger, 1781–1867
Studies of Serving Vessels From Antiquity
1802-1804
16
Sir Robert Smirke the younger, 1781–1867
Sketch of a Window and Arches of the Nave in the Church of St. Wensceslas in Prague
1802-1804
17
Sir Robert Smirke the younger, 1781–1867
Sketch of the Plan of the Church of Saint Wenceslas in Prague
1802-1804
18
Sir Robert Smirke the younger, 1781–1867
Part of a Semi-Circular Seat
1802-1804
19
Sir Robert Smirke the younger, 1781–1867
Staircase Railing, Palace of Doge, Venice
1802-1804
20
Sir Robert Smirke the younger, 1781–1867
Among the Ruins of Messene
1802-1804
21
Sir Robert Smirke the younger, 1781–1867
Capital of One of the Columns and the Capital of One of the Pilasters
1802-1804
22
Sir Robert Smirke the younger, 1781–1867
Apollo Epicurus
1802-1804
23
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of the Porticos of a Temple
1802-1804
24
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of the Temple of Sunias Minerva
1802-1804
25
Sir Robert Smirke the younger, 1781–1867
An Architectural Drawing of One of the Pillars in the Interior of a Temple
1802-1804
26
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of a Temple
1802-1804
27
Sir Robert Smirke the younger, 1781–1867
Plan and Section of a Subterraneous Building Discovered at Mycenea and Supposed to be the Tomb of Agamemnon
1802-1804
28
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of a Temple Near Ancient Phigalia
1802-1804
29
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of the Temple of Concordia
1802-1804
30
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of a Temple
1802-1804
31
Sir Robert Smirke the younger, 1781–1867
The Architrave to a Window or Door in the East Wall of the Temple in the Convent of St. Nicholas, Agrigentum
1802-1804
32
Sir Robert Smirke the younger, 1781–1867
The Pilasters to the Small Temple in the Convent of St. Nicholas, Agrigentum
1802-1804
33
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of a Temple
1802-1804
34
Sir Robert Smirke the younger, 1781–1867
Doric Capital Among the Ruiins of a Temple, Dedicated to Vulcan, at Agrigentum
1802-1804
35
Sir Robert Smirke the younger, 1781–1867
The Capital and Entablature to the Columns of the Temple of Juno Lucina, Agrigentum
1802-1804
36
Sir Robert Smirke the younger, 1781–1867
Architectural Sketch of Building with Doric Columns
1802-1804
37
unknown artist
Portrait of Frank Buckle
undated
38
unknown artist
Portrait of Thomas Goodisson
undated
39
Peter Nicholson, 1765–1844
Barshaw House
1802
40
John Henderson, 1764–1843
Basel, Bridge Center, Quayside, with Figures and Shipping Right, with Cathedral Rising behind Buildings
ca. 1807