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Keith Vaughan Barnyard Scene
Keith Vaughan, 1912–1977
Barnyard Scene
1944
Robert Adam Headfort House: Moldings in the Hall
Robert Adam, 1728–1792
Headfort House: Moldings in the Hall
1772
Robert Adam Headfort House: Great Room Pilaster
Robert Adam, 1728–1792
Headfort House: Great Room Pilaster
1772
unknown artist Shops and Livery Stable, in Bishopsgate
unknown artist
Shops and Livery Stable, in Bishopsgate
undated
Thomas Gisborne Men Loading a Cart Beside a River
Thomas Gisborne, active 1798
Men Loading a Cart Beside a River
undated
Keith Vaughan Study for Fishermen and Bathers
Keith Vaughan, 1912–1977
Study for Fishermen and Bathers
ca. 1951
Henri Gaudier-Brzeska Dancing Figure
Henri Gaudier-Brzeska, 1891–1915
Dancing Figure
between 1910 and 1915
Henri Gaudier-Brzeska Abstract Figure Composition
Henri Gaudier-Brzeska, 1891–1915
Abstract Figure Composition
between 1910 and 1915
Henri Gaudier-Brzeska Seven Dancing Figures, in Three Registers
Henri Gaudier-Brzeska, 1891–1915
Seven Dancing Figures, in Three Registers
between 1910 and 1915
Dirk Langendyck British Troops Disembarking
Dirk Langendyck, 1748–1805
British Troops Disembarking
1799
James Gwin Premiere Position pour tirer L'Epée
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
James Gwin Position pour la Garde en Quarte
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
James Gwin Position pour la Garde en Tierce
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
James Gwin Position de la Garde en Quarte, et le Coup de Quarte Basse
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Quarte Basse
1763
James Gwin Position de la Garde de Tierce et le Coup de Seconde
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
James Gwin Position pour la Garde en Quarte et le Coup de Quarte
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
James Gwin Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
James Gwin Premiere Position du Salut
James Gwin, 1700–1769
Premiere Position du Salut
1763
Bernard Lens III Shipping in an Estuary
Bernard Lens III, 1682–1740
Shipping in an Estuary
undated
James Gwin Cinquieme Position du Salut
James Gwin, 1700–1769
Cinquieme Position du Salut
1763
James Gwin De la Parade du Cavé sur le Coup de Flanconnade
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
James Gwin De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
James Gwin De la Parade de Prime sur le Coup de Seconde
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
James Gwin De la Parade Dequinte sur le Coup de Quinte
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
James Gwin De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
James Gwin De la Risposte en Quinte de Pied forme sur le Coup de Seconde
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
James Gwin De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
Bernard Lens II Windsor Castle from the North
Bernard Lens II, 1659–1725
Windsor Castle from the North
undated
James Gwin De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
James Gwin De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
James Gwin Demi Volte sur les Coups Forcés au Dehors des Armes
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
James Gwin L'Epée & Lanterne Combattüe par L'Epée et Manteau
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
Joseph Cartwright Six Battleships Tacking in Heavy Seas
Joseph Cartwright, c.1789–1829
Six Battleships Tacking in Heavy Seas
undated
Joseph Cartwright Single Corvette. Bow Forward
Joseph Cartwright, c.1789–1829
Single Corvette. Bow Forward
undated
Joseph Cartwright Pierre Premier en Hollande: Scene Inside Ship With Peter the Great, Taking Notes, on Shipbuilding
Joseph Cartwright, c.1789–1829
Pierre Premier en Hollande: Scene Inside Ship With Peter the Great, Taking Notes, on Shipbuilding
undated
unknown artist Le Port Vieux de Toulon: Dessiné du Point C Marqué sur le Plan
unknown artist
Le Port Vieux de Toulon: Dessiné du Point C Marqué sur le Plan
undated
unknown artist Le Port de Rochefort: Vu Du Point A Marque sur le Plan:
unknown artist
Le Port de Rochefort: Vu Du Point A Marque sur le Plan
undated
unknown artist Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan
unknown artist
Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan
undated
unknown artist Le Port De Brest: Dessiné Du Point K Marqué sur Le Plan
unknown artist
Le Port De Brest: Dessiné Du Point K Marqué sur Le Plan
undated
unknown artist Le Havre and Le Manche: A Map of Le Havre
unknown artist
Le Havre and Le Manche: A Map of Le Havre
undated
unknown artist Rouen: A Map of the City and Surrounding Areas
unknown artist
Rouen: A Map of the City and Surrounding Areas
undated
unknown artist Toulon
unknown artist
Toulon
1777
unknown artist L'Orient 1776: Map of the Port of Orient
unknown artist
L'Orient 1776: Map of the Port of Orient
1776
unknown artist Dieppe
unknown artist
Dieppe
undated
unknown artist Le Pont de Brest/ Definne du Point H. Marque fur la Plan: Dock Scene with Laborers employed on Various Aspects of Ship Construction
unknown artist
Le Pont de Brest/ Definne du Point H. Marque fur la Plan: Dock Scene with Laborers employed on Various Aspects of Ship Construction
undated
unknown artist Rochefort 1776
unknown artist
Rochefort 1776
1776
unknown artist Four Figures on a Sheet
unknown artist
Four Figures on a Sheet
undated
Joseph Cartwright Single Hermaphrodite Brig, Stern Forward
Joseph Cartwright, c.1789–1829
Single Hermaphrodite Brig, Stern Forward
undated
Joseph Cartwright Decorative Stern
Joseph Cartwright, c.1789–1829
Decorative Stern
undated
Joseph Cartwright Battle Scene: Battleships, Frigates and Corvettes; Sinking Boat and Rowboat
Joseph Cartwright, c.1789–1829
Battle Scene: Battleships, Frigates and Corvettes; Sinking Boat and Rowboat
undated
Joseph Cartwright Side View of Two Naval Jackets; Masters and Commanders
Joseph Cartwright, c.1789–1829
Side View of Two Naval Jackets; Masters and Commanders
undated
Joseph Cartwright Several Battleships at Battle: Row Boats with Figures
Joseph Cartwright, c.1789–1829
Several Battleships at Battle: Row Boats with Figures
undated
Joseph Cartwright Side View of Single Brig and Bow of Another
Joseph Cartwright, c.1789–1829
Side View of Single Brig and Bow of Another
undated
Joseph Cartwright Single Brig with Union Jack and Three Figures
Joseph Cartwright, c.1789–1829
Single Brig with Union Jack and Three Figures
1821
Joseph Cartwright Single Corvette (?) with Three Figures in Naval Uniforms and Union Jack
Joseph Cartwright, c.1789–1829
Single Corvette (?) with Three Figures in Naval Uniforms and Union Jack
undated
Thomas Rowlandson Mrs. Abington
Thomas Rowlandson, 1756–1827
Mrs. Abington
undated
Thomas Rowlandson The Return of the Fleet to Great Yarmouth in 1797
Thomas Rowlandson, 1756–1827
The Return of the Fleet to Great Yarmouth in 1797
1797
Thomas Rowlandson Harvesters Resting in a Corn Field
Thomas Rowlandson, 1756–1827
Harvesters Resting in a Corn Field
between 1805 and 1810
unknown artist The Arrival of Ferries at London Bridge (?)
unknown artist
The Arrival of Ferries at London Bridge (?)
undated
James Sillett Pockthorpe, Norwich
James Sillett, 1764–1840
Pockthorpe, Norwich
undated
Henri Gaudier-Brzeska Figure Study for a Relief Design
Henri Gaudier-Brzeska, 1891–1915
Figure Study for a Relief Design
between 1910 and 1915
Henri Gaudier-Brzeska Study for a Mother and Child Grouping
Henri Gaudier-Brzeska, 1891–1915
Study for a Mother and Child Grouping
between 1910 and 1915
Henri Gaudier-Brzeska Two Dancing Figures and Five Studies for a Mother and Child Grouping
Henri Gaudier-Brzeska, 1891–1915
Two Dancing Figures and Five Studies for a Mother and Child Grouping
between 1910 and 1915
Henri Gaudier-Brzeska Three Figure Studies
Henri Gaudier-Brzeska, 1891–1915
Three Figure Studies
between 1910 and 1915
Henri Gaudier-Brzeska Frieze of Four Dancing Figures
Henri Gaudier-Brzeska, 1891–1915
Frieze of Four Dancing Figures
between 1910 and 1915
Henri Gaudier-Brzeska Five Studies for a Sculpture
Henri Gaudier-Brzeska, 1891–1915
Five Studies for a Sculpture
between 1910 and 1915
Henri Gaudier-Brzeska Study for a Mother and Child Grouping
Henri Gaudier-Brzeska, 1891–1915
Study for a Mother and Child Grouping
between 1910 and 1915
Henri Gaudier-Brzeska Five Abstract Sketches, and Studies for Male and Female Figures
Henri Gaudier-Brzeska, 1891–1915
Five Abstract Sketches, and Studies for Male and Female Figures
between 1910 and 1915
Henri Gaudier-Brzeska Five Sculptural Studies
Henri Gaudier-Brzeska, 1891–1915
Five Sculptural Studies
between 1910 and 1915
Henri Gaudier-Brzeska Two Dancing Figures
Henri Gaudier-Brzeska, 1891–1915
Two Dancing Figures
between 1910 and 1915
Henri Gaudier-Brzeska Study for a Figural Sculpture, Crouching Figure
Henri Gaudier-Brzeska, 1891–1915
Study for a Figural Sculpture, Crouching Figure
between 1910 and 1915
Henri Gaudier-Brzeska Two Dancing Figures
Henri Gaudier-Brzeska, 1891–1915
Two Dancing Figures
between 1910 and 1915
Henri Gaudier-Brzeska Dancing Figure
Henri Gaudier-Brzeska, 1891–1915
Dancing Figure
between 1910 and 1915
Henri Gaudier-Brzeska Male and Female Dancing Figures
Henri Gaudier-Brzeska, 1891–1915
Male and Female Dancing Figures
between 1910 and 1915
Thomas Hearne Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh
Thomas Hearne, 1744–1817
Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh
1778
Henri Gaudier-Brzeska Nine Dancing Figures, in Three Registers
Henri Gaudier-Brzeska, 1891–1915
Nine Dancing Figures, in Three Registers
between 1910 and 1915
Henri Gaudier-Brzeska Dancing Figure, in Profile
Henri Gaudier-Brzeska, 1891–1915
Dancing Figure, in Profile
between 1910 and 1915
Henri Gaudier-Brzeska Male Dancing Figure, in Profile
Henri Gaudier-Brzeska, 1891–1915
Male Dancing Figure, in Profile
between 1910 and 1915
Henri Gaudier-Brzeska Dancing Figure
Henri Gaudier-Brzeska, 1891–1915
Dancing Figure
between 1910 and 1915
Henri Gaudier-Brzeska Dancing Figure
Henri Gaudier-Brzeska, 1891–1915
Dancing Figure
between 1910 and 1915
Henri Gaudier-Brzeska Two Studies for a Sculptural Column
Henri Gaudier-Brzeska, 1891–1915
Two Studies for a Sculptural Column
between 1910 and 1915
James Gwin Position pour le Garde en Tierce et le Coup de Tierce
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
Dirk Langendyck A British Encampment
Dirk Langendyck, 1748–1805
A British Encampment
1799 to 1801
James Gwin Position de la Garde en Quarte, et le Coup de Flanconnade
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
James Gwin Quatrieme Position du Salut
James Gwin, 1700–1769
Quatrieme Position du Salut
1763
James Gwin Troisieme Position du Salut
James Gwin, 1700–1769
Troisieme Position du Salut
1763
James Gwin Seconde Position du Salut
James Gwin, 1700–1769
Seconde Position du Salut
1763
James Gwin De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
James Gwin De la Parade de Seconde sur le Coup de Seconde
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
James Gwin Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
James Gwin De la Passe en Quarte du Dehors des Armes
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
James Gwin De la Volte sur la Passe au Dehors des Armes
James Gwin, 1700–1769
De la Volte sur la Passe au Dehors des Armes
1763
James Gwin Du Desarmement Aprés Avoir Paré le Coup de Quarte
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
James Gwin Position Aprés Avoir Desarmé sur le Coup de Quarte
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
James Gwin Du Desarmement sur le Coup de Tierce
James Gwin, 1700–1769
Du Desarmement sur le Coup de Tierce
1763
James Gwin Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
James Gwin Risposte Aprés Avoir Trompé la Parade du Poignard
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
James Gwin Position Aprés Avoir Désarmé sur le Coup de Tierce
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
James Gwin Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
James Gwin De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763