<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Materials & Techniques black ink

Remove constraint Materials & Techniques: black ink

On-site Access Accessible by appointment in the Study Room

Remove constraint On-site Access: Accessible by appointment in the Study Room

Subject Terms sky

Remove constraint Subject Terms: sky

Search Results

Edward Lear Gebel Sheikh Eredi
Edward Lear, 1812–1888
Gebel Sheikh Eredi
1867
Edward Lear Near Gezir Shendowiel
Edward Lear, 1812–1888
Near Gezir Shendowiel
1867
Edward Lear El Areesh (Torrens Ægypti)
Edward Lear, 1812–1888
El Areesh (Torrens Ægypti)
1867
Edward Lear The Capo Sant' Angelo, Amalfi
Edward Lear, 1812–1888
The Capo Sant' Angelo, Amalfi
ca. 1885
Edward Lear The Dead Sea, 16 and 17 April 1858
Edward Lear, 1812–1888
The Dead Sea, 16 and 17 April 1858
April 16 and 17, 1858
Edward Lear Bavella, Corsica
Edward Lear, 1812–1888
Bavella, Corsica
ca. 1868
Edward Lear Abu Simbel, 11-11:30 am, 8 February 1867 (374)
Edward Lear, 1812–1888
Abu Simbel, 11-11:30 am, 8 February 1867 (374)
1867
Edward Lear Negadeh
Edward Lear, 1812–1888
Negadeh
1867
Edward Lear River pass, between barren rock cliffs
Edward Lear, 1812–1888
River pass, between barren rock cliffs
1867
Edward Lear Near Aswan
Edward Lear, 1812–1888
Near Aswan
1867
Edward Lear Abu Seer
Edward Lear, 1812–1888
Abu Seer
1867
Edward Lear Abu Seer
Edward Lear, 1812–1888
Abu Seer
1867
Edward Lear Near Daboad
Edward Lear, 1812–1888
Near Daboad
1867
Edward Lear Abydos, 1:00 pm, 12 January 1867 (134)
Edward Lear, 1812–1888
Abydos, 1:00 pm, 12 January 1867 (134)
1867
Edward Lear Karnak, 9:30 pm, 22 January 1867 (212)
Edward Lear, 1812–1888
Karnak, 9:30 pm, 22 January 1867 (212)
1867
Edward Lear Karnak, 10:00 pm, 22 January 1867 (213)
Edward Lear, 1812–1888
Karnak, 10:00 pm, 22 January 1867 (213)
1867
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
Print made by William Blake, 1757–1827
"What do I see! The Briton Saxon Roman Norman..." (Plate 92)
1804 to 1820
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
William Blake, 1757–1827
Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake Fame (Design 93)
William Blake, 1757–1827
Fame (Design 93)
between 1797 and 1798
William Blake A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
William Blake, 1757–1827
A Genius Driving Away "Comus & his midnight-crew..." (Design 95)
between 1797 and 1798
William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
William Blake Introduction (Plate 34)
Print made by William Blake, 1757–1827
Introduction (Plate 34)
1794
William Blake "Awake! Awake Jerusalem..." (Plate 97)
Print made by William Blake, 1757–1827
"Awake! Awake Jerusalem..." (Plate 97)
1804 to 1820
William Blake "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
William Blake, 1757–1827
"Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
between 1797 and 1798
William Blake The Three Fatal Sisters (Design 67)
William Blake, 1757–1827
The Three Fatal Sisters (Design 67)
between 1797 and 1798
William Blake The Prophetess Rising from Her Grave (Design 81)
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "By Satan's Watch-fiends tho' they search..." (Plate 39)
Print made by William Blake, 1757–1827
"By Satan's Watch-fiends tho' they search..." (Plate 39)
1804 to 1820
William Blake "Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)
1804 to 1820
William Blake "They saw their Wheels rising up poisonous..." (Plate 43)
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
William Blake "The banks of the Thames are clouded..." (Plate 5)
Print made by William Blake, 1757–1827
"The banks of the Thames are clouded..." (Plate 5)
1804 to 1820
William Blake "Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 3. But Los, who is the Vehicular Form..." (Plate 53)
1804 to 1820
William Blake "To decide Two Worlds with a great decision..." (Plate 65)
Print made by William Blake, 1757–1827
"To decide Two Worlds with a great decision..." (Plate 65)
1804 to 1820
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
William Blake "And this the form of mighty Hand..." (Plate 70)
Print made by William Blake, 1757–1827
"And this the form of mighty Hand..." (Plate 70)
1804 to 1820
William Blake "Corruptability appears upon thy limbs..." (Plate 83)
Print made by William Blake, 1757–1827
"Corruptability appears upon thy limbs..." (Plate 83)
1804 to 1820
William Blake "Became a Space & an Allegory..." (Plate 85)
Print made by William Blake, 1757–1827
"Became a Space & an Allegory..." (Plate 85)
1804 to 1820
William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)
between 1797 and 1798
William Blake "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
Print made by William Blake, 1757–1827
"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
1804 to 1820
William Blake "Rose up against me thundering..." (Plate 8)
Print made by William Blake, 1757–1827
"Rose up against me thundering..." (Plate 8)
1804 to 1820
William Blake "I have heard Jerusalems groans..." (Plate 82)
Print made by William Blake, 1757–1827
"I have heard Jerusalems groans..." (Plate 82)
1804 to 1820
William Blake Jerusalem, Tailpiece (Plate 100)
Print made by William Blake, 1757–1827
Jerusalem, Tailpiece (Plate 100)
1804 to 1820
William Blake "Why wilt thou give to her a Body..." (Plate 12)
Print made by William Blake, 1757–1827
"Why wilt thou give to her a Body..." (Plate 12)
1804 to 1820
William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake "One hair nor particle of dust..." (Plate 14)
Print made by William Blake, 1757–1827
"One hair nor particle of dust..." (Plate 14)
1804 to 1820
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "From every-one of the Four Regions..." (Plate 18)
Print made by William Blake, 1757–1827
"From every-one of the Four Regions..." (Plate 18)
1804 to 1820
William Blake "But when they saw Albion fall'n..." (Plate 20)
Print made by William Blake, 1757–1827
"But when they saw Albion fall'n..." (Plate 20)
1804 to 1820
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
William Blake "What have I said? What have I done?..." (Plate 24)
Print made by William Blake, 1757–1827
"What have I said? What have I done?..." (Plate 24)
1804 to 1820
William Blake "Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
Print made by William Blake, 1757–1827
"Jerusalem, Chapter 2. Every ornament of perfection..." (Plate 28)
1804 to 1820
William Blake "To the Public. After my three years slumber..." (Plate 3)
Print made by William Blake, 1757–1827
"To the Public. After my three years slumber..." (Plate 3)
1804 to 1820
William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
William Blake "And none but Bromian can hear my lamentations..." (Plate 6)
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
William Blake Abraham and Isaac
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
Nicholas Pocock The Ranger, Private Ship of War, with her Prizes
Nicholas Pocock, 1740–1821
The Ranger, Private Ship of War, with her Prizes
1780
Nicholas Pocock The River Avon: with Passing Vessels
Nicholas Pocock, 1740–1821
The River Avon: with Passing Vessels
1785
Benjamin West A Squall off a Mountainous Coast
Benjamin West, 1738–1820
A Squall off a Mountainous Coast
undated
Thomas Shotter Boys Street Scene at Stratford by Bow
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
Thomas Shotter Boys View Near Arundel Castle
Thomas Shotter Boys, 1803–1874
View Near Arundel Castle
1823 and 1874
Samuel Howitt A Seascape
Samuel Howitt, 1756–1822
A Seascape
undated
Thomas Shotter Boys View at Swiss Cottage, London
Thomas Shotter Boys, 1803–1874
View at Swiss Cottage, London
1836
William Callow The Rialto
William Callow, 1812–1908
The Rialto
1846
Francis Towne Dunkerswell Abbey, August 20, 1783
Francis Towne, 1740–1816
Dunkerswell Abbey, August 20, 1783
1783
David Charles Read Landscape with Trees
David Charles Read, 1790–1851
Landscape with Trees
undated
Willey Reveley Views in the Levant: Temple Ruins at Paestum
Willey Reveley, 1760–1799
Views in the Levant: Temple Ruins at Paestum
ca. 1785
Thomas Girtin The Tithe Barn at Abbotsbury with the Abbey on the hill...
Thomas Girtin, 1775–1802
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
Thomas Girtin The New Walk, York
Thomas Girtin, 1775–1802
The New Walk, York
ca. 1798
John Piper Powerstock Castle
John Piper, 1903–1992
Powerstock Castle
ca. 1945
Keith Vaughan Study for Fishermen and Bathers
Keith Vaughan, 1912–1977
Study for Fishermen and Bathers
ca. 1951
Thomas Girtin Kirkstall Abbey from the N.W.
Thomas Girtin, 1775–1802
Kirkstall Abbey from the N.W
ca. 1792
Thomas Girtin Lincoln Cathedral
Thomas Girtin, 1775–1802
Lincoln Cathedral
ca. 1795
Thomas Girtin Pluscardine Abbey, Elgin
Thomas Girtin, 1775–1802
Pluscardine Abbey, Elgin
ca. 1793
Thomas Girtin Rochester, Kent: from the North
Thomas Girtin, 1775–1802
Rochester, Kent: from the North
ca. 1790
Thomas Rowlandson View of the Market Place at Juliers in Westphalia
Thomas Rowlandson, 1756–1827
View of the Market Place at Juliers in Westphalia
1791
Thomas Girtin Denbigh Castle
Thomas Girtin, 1775–1802
Denbigh Castle
ca. 1793
Thomas Hearne A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital
Thomas Hearne, 1744–1817
A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital
ca. 1775
Thomas Shotter Boys The North-West Porch of Salisbury Cathedral
Thomas Shotter Boys, 1803–1874
The North-West Porch of Salisbury Cathedral
1832
William Callow Landscape after Wynants (in the Louvre)
William Callow, 1812–1908
Landscape after Wynants (in the Louvre)
undated
Sir William Chambers Royal Botanic Gardens, Kew: Design for Interior of a Mosque
Sir William Chambers, 1723–1796
Royal Botanic Gardens, Kew: Design for Interior of a Mosque
ca. 1761
unknown artist Windmill
unknown artist
Windmill
undated
Thomas Shotter Boys Courtyard of an Inn on the Thames
Thomas Shotter Boys, 1803–1874
Courtyard of an Inn on the Thames
undated
Unknown artist (Company style) Travelling Palanquins
Unknown artist (Company style)
Travelling Palanquins
ca. 1800
Anthony Vandyke Copley Fielding Shipping off Staffa
Anthony Vandyke Copley Fielding, 1787–1855
Shipping off Staffa
1842