<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Materials & Techniques black ink

Remove constraint Materials & Techniques: black ink

On-site Access Accessible by appointment in the Study Room

Remove constraint On-site Access: Accessible by appointment in the Study Room

Date 1802

Remove constraint Date: 1802

Search Results

Joseph Mallord William Turner Lake Geneva and Mount Blanc
Joseph Mallord William Turner, 1775–1851
Lake Geneva and Mount Blanc
1802 to 1805
James Malton Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
1802
Sir Robert Smirke the younger Architectural Drawing of a Temple
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of a Temple
1802-1804
Sir Robert Smirke the younger The Architrave to a Window or Door in the East Wall of the Temple in the Convent of St. Nicholas, Agrigentum
Sir Robert Smirke the younger, 1781–1867
The Architrave to a Window or Door in the East Wall of the Temple in the Convent of St. Nicholas, Agrigentum
1802-1804
Sir Robert Smirke the younger Architectural Drawing of a Temple
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of a Temple
1802-1804
Sir Robert Smirke the younger Doric Capital Among the Ruiins of a Temple, Dedicated to Vulcan, at Agrigentum
Sir Robert Smirke the younger, 1781–1867
Doric Capital Among the Ruiins of a Temple, Dedicated to Vulcan, at Agrigentum
1802-1804
Sir Robert Smirke the younger The Capital and Entablature to the Columns of the Temple of Juno Lucina, Agrigentum
Sir Robert Smirke the younger, 1781–1867
The Capital and Entablature to the Columns of the Temple of Juno Lucina, Agrigentum
1802-1804
Sir Robert Smirke the younger Architectural Sketch of Building with Doric Columns
Sir Robert Smirke the younger, 1781–1867
Architectural Sketch of Building with Doric Columns
1802-1804
Sir Robert Smirke the younger Studies of Serving Vessels From Antiquity
Sir Robert Smirke the younger, 1781–1867
Studies of Serving Vessels From Antiquity
1802-1804
Sir Robert Smirke the younger Studies of Drinking and Pouring Vessels, at the Vatican Library
Sir Robert Smirke the younger, 1781–1867
Studies of Drinking and Pouring Vessels, at the Vatican Library
1802-1804
Sir Robert Smirke the younger Sketch of a Window and Arches of the Nave in the Church of St. Wensceslas in Prague
Sir Robert Smirke the younger, 1781–1867
Sketch of a Window and Arches of the Nave in the Church of St. Wensceslas in Prague
1802-1804
Sir Robert Smirke the younger Sketch of the Plan of the Church of Saint Wenceslas in Prague
Sir Robert Smirke the younger, 1781–1867
Sketch of the Plan of the Church of Saint Wenceslas in Prague
1802-1804
Sir Robert Smirke the younger Part of a Semi-Circular Seat
Sir Robert Smirke the younger, 1781–1867
Part of a Semi-Circular Seat
1802-1804
Sir Robert Smirke the younger Architectural Drawing of the Temple of Concordia
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of the Temple of Concordia
1802-1804
Sir Robert Smirke the younger The Pilasters to the Small Temple in the Convent of St. Nicholas, Agrigentum
Sir Robert Smirke the younger, 1781–1867
The Pilasters to the Small Temple in the Convent of St. Nicholas, Agrigentum
1802-1804
Sir Robert Smirke the younger Architectural Drawing of the Temple of Sunias Minerva
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of the Temple of Sunias Minerva
1802-1804
Sir Robert Smirke the younger Architectural Drawing of the Porticos of a Temple
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of the Porticos of a Temple
1802-1804
Sir Robert Smirke the younger Architectural Drawing of a Temple
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of a Temple
1802-1804
Sir Robert Smirke the younger An Architectural Drawing of One of the Pillars in the Interior of a Temple
Sir Robert Smirke the younger, 1781–1867
An Architectural Drawing of One of the Pillars in the Interior of a Temple
1802-1804
Sir Robert Smirke the younger Staircase Railing, Palace of Doge, Venice
Sir Robert Smirke the younger, 1781–1867
Staircase Railing, Palace of Doge, Venice
1802-1804
Sir Robert Smirke the younger Apollo Epicurus
Sir Robert Smirke the younger, 1781–1867
Apollo Epicurus
1802-1804
Sir Robert Smirke the younger Plan and Section of a Subterraneous Building Discovered at Mycenea and Supposed to be the Tomb of Agamemnon.
Sir Robert Smirke the younger, 1781–1867
Plan and Section of a Subterraneous Building Discovered at Mycenea and Supposed to be the Tomb of Agamemnon
1802-1804
Sir Robert Smirke the younger Architectural Drawing of a Temple Near Ancient Phigalia
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of a Temple Near Ancient Phigalia
1802-1804
Sir Robert Smirke the younger Among the Ruins of Messene
Sir Robert Smirke the younger, 1781–1867
Among the Ruins of Messene
1802-1804
Sir Robert Smirke the younger Capital of One of the Columns and the Capital of One of the Pilasters
Sir Robert Smirke the younger, 1781–1867
Capital of One of the Columns and the Capital of One of the Pilasters
1802-1804
James Malton Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
1802
James Malton Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
James Malton Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
Samuel De Wilde Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
Samuel De Wilde, 1748–1832
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
James Hook A Regency Pair
James Hook, ca. 1772–1828
A Regency Pair
1802
unknown artist Portrait of Thomas Goodisson
unknown artist
Portrait of Thomas Goodisson
undated
unknown artist Portrait of Frank Buckle
unknown artist
Portrait of Frank Buckle
undated
Peter Nicholson Barshaw House
Peter Nicholson, 1765–1844
Barshaw House
1802
John Henderson Basel, Bridge Center, Quayside, with Figures and Shipping Right, with Cathedral Rising behind Buildings
John Henderson, 1764–1843
Basel, Bridge Center, Quayside, with Figures and Shipping Right, with Cathedral Rising behind Buildings
ca. 1807