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Collection
Prints and Drawings
53
Creator
Blake, William, 1757–1827
22
Carter, John, 1748–1817
9
Parish, Henry William, active 1792
4
Tambat, Gangaram Chintaman, active 1790s
3
Alexander, William, 1767–1816
2
Cockburn, James Pattison, 1779–1847
2
Davis, Samuel, 1760–1819
2
Farington, Joseph, 1747–1821
2
Daniell, Thomas, 1749–1840
1
Daniell, William, 1769–1837
1
Girtin, Thomas, 1775–1802
1
Hand, Thomas, died 1804
1
Harraden, Richard Banks, 1778–1862
1
Howitt, Samuel, 1756–1822
1
Pyne, William Henry, 1769–1843
1
Ritso, John Lt., 1772–1866
1
Varley, John, 1778–1842
1
Date
1796
306
1745
237
1771
231
1773
136
1785
132
1804
130
1814
127
1775
114
1790
110
1772
100
1832
91
1800
90
1791
89
1797
86
1799
73
1839
73
1789
64
1763
63
1794
63
1780
55
1910
54
1793
[remove]
53
1705
52
0
48
1827
47
1781
46
1795
44
1770
43
1817
42
1807
41
1802
40
1768
33
1818
33
1825
33
1762
32
1830
32
1767
31
1820
31
1811
29
1755
28
1765
28
1812
27
1823
27
1787
26
1826
26
1748
25
1782
25
1828
25
1761
24
1774
23
1798
23
1815
23
1819
23
1715
22
1783
22
1801
22
1758
21
1760
21
1788
21
1792
21
1717
20
1759
20
1778
20
1700
19
1736
19
1751
19
1753
19
1776
19
1806
19
1867
19
1740
18
1746
18
1857
18
1805
17
1834
17
1730
16
1764
16
1784
16
1813
16
1822
16
1906
16
1712
15
1752
15
1779
15
1847
15
1848
15
1893
15
1749
14
1843
14
1750
13
1777
13
1810
13
1851
13
1932
13
1803
12
1786
11
1808
11
1842
11
1756
10
1766
10
On-site Access
Accessible by appointment in the Study Room
53
Image Use
Free to Use
53
Image Available
Available
50
Unavailable
3
Classification
Drawings & Watercolors
31
Prints
22
Creator Gender
male
[remove]
53
Collective Title
America. A Prophecy, Copy M
18
An Album of Sketches on the Voyage from England to China with Lord Macartney's Embassy
4
Visions of the Daughters of Albion, Copy I
4
Views in the Province of Kiang Nan, China
1
Period
18th century
49
18th century-19th century
4
Materials & Techniques
black ink
[remove]
53
watercolor
36
wove paper
36
graphite
24
relief etching
22
laid paper
17
color printing
10
gray wash
8
pens
7
brown ink
4
gouache
3
gray ink
3
pen
3
black wash
2
brown wash
1
squaring (transferring technique)
1
Height [cm]
Height [cm] range begin
–
Height [cm] range end
Current results range from
11
to
48
Width [cm]
Width [cm] range begin
–
Width [cm] range end
Current results range from
9
to
68
Work Type
drawing
53
watercolor
42
relief print
22
frontispiece
2
Genre
architectural subject
21
religious and mythological subject
18
landscape
11
marine art
6
literary theme
5
genre subject
4
cityscape
1
Subject Terms
architectural subject
21
men
21
text
20
religious and mythological subject
18
nudes
17
women
13
clouds
10
landscape
10
trees
10
snake
7
flames
5
literary theme
5
marine art
5
serpent
5
vines
5
cave
4
chains
4
children
4
fire
4
shackles
4
more
Subject Terms
»
Associated Places
England
11
United Kingdom
11
City of Westminster
9
London
9
Palace of Westminster
9
Ellora
3
Europe
3
India
3
Asia
2
China
2
Alamgir Mosque
1
Cambridgeshire
1
Clare College
1
Fort Al Jalali
1
Fort Al-Mirani
1
Ganges
1
Italy
1
Masqat
1
Oman
1
Ouse
1
more
Associated Places
»
Exhibition History
The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)
19
William Blake - The Artist (Tate Britain, 2019-09-11 - 2020-02-20)
18
William Blake: Visionary (The J. Paul Getty Museum, 2023-10-17 - 2024-01-14)
18
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
16
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
9
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
9
Romantics & Revolutionaries : Regency Portraits from the National Portrait Gallery (Yale Center for British Art, 2003-01-23 - 2003-03-30)
4
Spreading Canvas - Eighteenth - Century British Marine Painting (Yale Center for British Art, 2016-09-09 - 2016-12-04)
4
William Blake and the Age of Aquarius (Block Museum of Art, 2017-09-23 - 2018-03-11)
3
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01)
2
Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Blaffer Gallery, University of Houston, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Block Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Memorial Art Gallery of Rochester, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Minneapolis Institute of Arts, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Toledo Museum of Art, 1985-04 - 1986-08)
1
British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Virginia Museum of Fine Arts, 1985-04 - 1986-08)
1
Masters of the Sea - British Marine Watercolors (National Maritime Museum, 2005-08-25 - 2005-10-25)
1
Masters of the Sea - British Marine Watercolors (Yale Center for British Art, 1987-06-10 - 1987-08-02)
1
more
Exhibition History
»
Credit Line
Yale Center for British Art, Paul Mellon Collection
53
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Materials & Techniques
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1
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
2
Print made by William Blake, 1757–1827
Frontispiece. Albion's Angel (Plate 1)
1793
3
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
4
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
5
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
6
Print made by William Blake, 1757–1827
Title Page. America, A Prophecy (Plate 2)
1793
7
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
8
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
9
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
10
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
11
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
12
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
13
Print made by William Blake, 1757–1827
"And none but Bromian can hear my lamentations..." (Plate 6)
1793
14
Print made by William Blake, 1757–1827
"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
1793
15
Print made by William Blake, 1757–1827
Frontispiece (Plate 1)
1793
16
Print made by William Blake, 1757–1827
Title Page, Visions of the Daughters of Albion (Plate 2)
1793
17
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
18
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
19
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
20
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
21
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
22
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
23
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
24
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
undated
25
Samuel Howitt, 1756–1822
A Park Landscape with Shepherd and Sheep
1793
26
Gangaram Chintaman Tambat, active 1790s
Outside View of Biskurma ka Joompree (Vishvakarma)
1793
27
Gangaram Chintaman Tambat, active 1790s
Inside View of Indur Subba
between 1793 and 1795
28
Gangaram Chintaman Tambat, active 1790s
View of a Rock-Carved Temple, Ellora
1793 or 1795
29
Lt. John Ritso, 1772–1866
Gateway of an Old Fort, Benares
1793 or 179(8)
30
William Henry Pyne, 1769–1843
A Boy Playing a Drum in the Garden of a Country House
1793
31
John Varley, 1778–1842
Architectural Drawing of a Building with Astrological Symbols
undated
32
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
33
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
34
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
35
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
36
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
37
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
38
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
39
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
40
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
41
Samuel Davis, 1760–1819
Sirree
July 1793
42
Thomas Daniell, 1749–1840
East View of the Forts Jellali and Merani, Muskat
1793
43
William Alexander, 1767–1816
Fisherpeople on a Junk
1793
44
William Alexander, 1767–1816
View in the Province of Kiang-nan, China, Taken from Nature
1793
45
Joseph Farington, 1747–1821
View of the Convent of the Clarisses at Valenciennes after the Seige
1793
46
Thomas Girtin, 1775–1802
The New Walk, York
ca. 1798
47
Henry William Parish, active 1792
Straits of Sunda
1793
48
James Pattison Cockburn, 1779–1847
Procession in a Church
undated
49
James Pattison Cockburn, 1779–1847
An Italian Fete: Figures on Terrace of a Palazzo
undated
50
Joseph Farington, 1747–1821
View of St. Nicholas Church at Valenciennes after the Siege
1793
51
Henry William Parish, active 1792
Three Views of the Strait of Sunda
1793
52
Henry William Parish, active 1792
Watering Place of Nauka Islands, off Banca, 1 May
1793
53
Henry William Parish, active 1792
Seascape with Two Boats
1793