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Materials & Techniques black ink
Remove constraint Materials & Techniques: black inkCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionSearch Results
1
- The Horse
- ca. 1805
- Not on view
2
- Arab Horsemen, Two Grey Horses
- 1965
3
- Moving Up to Challenge
- 1963
4
- Arab Horsemen, One Brown and One Gray Horse
- 1965
5
- Over the Bank, Exmoor
- ca. 1895
6
- Huntsman and Hounds
- ca. 1896
7
- A Harrow in the Orchard
- ca. 1896
8
- Brighton Beach Looking West
- undated
9
- A View on the Orwell
- undated
10
- The Valley of Vision
- undated
11
- A Cow Lodge with a Mossy Roof
- ca. 1829
12
- Cornfield and Church by Moonlight
- early 1830s
13
- Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
- ca. 1840
14
- A Cottage among Trees, Shoreham
- undated
15
- An Ancient Barn at Shoreham
- undated
16
- Opening the Fold: Early Morning
- ca. 1880
17
- The Timber Wain
- between 1833 and 1834
18
- Horses Fighting
- undated
19
- Grotesque Female Head
- undated
20
- Grotesque Male Head
- undated
21
- Grotesque Female Head
- undated
22
- Grotesque Male Head
- undated
23
- Grotesque Male Head
- undated
24
- Grotesque Male Head
- undated
25
- Grotesque Male Head
- undated
26
- Grotesque Female Head
- undated
27
- Grotesque Female Head
- undated
28
- Grotesque Male Head
- undated
29
- Grotesque Male Head
- undated
30
- Grotesque Male Head
- undated
31
- Grotesque Male Head
- undated
32
- Grotesque Male Head
- undated
33
- Grotesque Female Head
- undated
34
- Ship Aground, Brighton, with the Chain Pier Beyond
- 1830
35
- Villa d'Este
- ca. 1796
36
- Rome from Monte Mario
- ca. 1818
37
- View of Hampton Court, Herefordshire, from the Northwest
- ca. 1806
38
- Barnard Castle
- ca. 1825
39
- Andernach
- 1817
40
- Lake Geneva and Mount Blanc
- 1802 to 1805
41
- Leeds
- 1816
42
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
43
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
44
- Catania
- 1847
45
- The Dead Sea, 16 and 17 April 1858
- April 16 and 17, 1858
46
- The Capo Sant' Angelo, Amalfi
- ca. 1885
47
- Bavella, Corsica
- ca. 1868
48
- Abu Simbel, 11-11:30 am, 8 February 1867 (374)
- 1867
49
- The Wave
- undated
50
- The Shepherd (Plate 4)
- 1789
51
- The Little Black Boy (Plate 6)
- 1789
52
- The Ecchoing Green (Plate 8)
- 1789
53
- Laughing Song (Plate 14)
- 1789
54
- The Little Girl Lost (Plate 20)
- 1789
55
- Night (Plate 30)
- 1789
56
- Frontispiece (Plate 1)
- 1793
57
- The Lamb (Plate 18)
- 1789
58
- The Divine Image (Plate 24)
- 1789
59
- Introduction (Plate 34)
- 1794
60
- Title Page, Visions of the Daughters of Albion (Plate 2)
- 1793
61
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
62
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
63
- Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
- 1794
64
- Frontispiece. Albion's Angel (Plate 1)
- 1793
65
- "In thoughts perturb'd they rose..." (Plate 11)
- 1794
66
- Plague (Plate 13)
- 1794
67
- "And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
- 1794
68
- "The red limb'd Angel siez'd in horror and torment..." (Plate 15)
- 1794
69
- "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
- 1794
70
- Famine (Plate 8)
- 1794
71
- "Arise 'O Rintrah eldest born..." (Plate 9)
- 1794
72
- "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
- 1804 to 1820
73
- "Somevillage-Hampden, that with dauntless breast, The little tyrant of his fields withstood..," (Design 111)
- between 1797 and 1798
74
- "Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say..." (Design 113)
- between 1797 and 1798
75
- A Shepherd Reading the Epitaph (Design 115)
- between 1797 and 1798
76
- Windsor Terrace, a Boy Contemplating a Distant View of Eton College (Design 13)
- between 1797 and 1798
77
- "Her Henry's holy shade..." (Design 15)
- between 1797 and 1798
78
- "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
- 1793
79
- Title Page. America, A Prophecy (Plate 2)
- 1793
80
- Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
- 1793
81
- A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
- 1793
82
- "Appear to the Americans upon the cloudy night..." (Plate 6)
- 1793
83
- "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
- 1793
84
- "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
- 1793
85
- "Shot from the heights of Enitharmon..." (Plate 17)
- 1794
86
- "The shrill winds wake!..." (Plate 6)
- 1794
87
- "Now comes the night of Enitharmons joy!..." (Plate 7)
- 1794
88
- "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
- 1793
89
- "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
- 1793
90
- "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
- 1793
91
- Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
- 1793
92
- "What time the thirteen Governors that England sent convene..." (Plate 15)
- 1793
93
- "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
- 1793
94
- Frontispiece, The Ancient of Days (Plate 1)
- 1794
95
- Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
- 1794
96
- The Lamb (Plate 8)
- 1789
97
- "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
- between 1797 and 1798
98
- "To him the mighty mother did unveil Her awful face..." (Design 49)
- between 1797 and 1798
99
- A Welch Bard (Design 53)
- between 1797 and 1798
100
- "Jehovah stood among the Druids..." (Plate 63)
- 1804 to 1820