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Materials & Techniques black chalk

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Date 1912

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Image Use Free to Use

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Under the Hammer
Creator:
Robert Polhill Bevan, 1865–1925
Date:
between 1912 and 1913
Materials & Techniques:
Black chalk and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 10 3/16 × 12 5/16 inches (25.9 × 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Horse Mart
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1917
Materials & Techniques:
Black chalk and charcoal on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 17 1/16 inches (34.9 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Swiss Cottage, Hampstead
Creator:
Robert Polhill Bevan, 1865–1925
Date:
between 1912 and 1913
Materials & Techniques:
Colored chalk, graphite, and black chalk, squared for transfer on medium, slightly textured, beige wove paper mounted to board
Dimensions:
Sheet: 18 1/2 × 14 11/16 inches (47 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Timber Hauling
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1917
Materials & Techniques:
Black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 11/16 x 17 inches (34.8 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cave of the Golden Calf: Interior of a Theatre
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Black chalk and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 14 inches (25.4 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick Gore
Crouching Monkey
Creator:
Henri Gaudier-Brzeska, 1891–1915
Date:
between 1912 and 1913
Materials & Techniques:
Black chalk on thin, smooth, beige wove paper
Dimensions:
Sheet: 9 1/2 x 10 inches (24.1 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund