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Materials & Techniques black chalk

Remove constraint Materials & Techniques: black chalk

Collection Prints and Drawings

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Width [cm] 59

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Rome from San Spirito
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Brown wash black chalk and graphite with white chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 x 23 3/8 inches (35.9 x 59.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Penmanmawr
Creator:
David Cox, 1783–1859
Date:
1855
Materials & Techniques:
Watercolor, gouache, with traces of graphite and black chalk on moderately thick, rough, cream wove paper
Dimensions:
Mount: 20 × 27 1/2 inches (50.8 × 69.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
At Oxford
Creator:
Edna Kaulbach, active 1874
Date:
1874
Materials & Techniques:
Black chalk and white gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 16 3/4 × 23 3/8 inches (42.5 × 59.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward I. Elicofon
Knole, Kent
Creator:
David Cox, 1783–1859
Date:
1840s
Materials & Techniques:
Watercolor, black chalk, and graphite on thick, rough, beige wove paper
Dimensions:
Sheet: 17 1/4 × 23 1/4 inches (43.8 × 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Elizabeth S. Tower
Portrait of Vanessa Bell
Creator:
Duncan Grant, 1885–1978
Date:
between 1912 and 1914
Materials & Techniques:
Black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 26 1/2 × 23 1/4 inches (67.3 × 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Elephants Fighting
Creator:
Johan Joseph Zoffany, 1733–1810
Date:
between 1784 and 1788
Materials & Techniques:
Black, white and red chalk on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 9 1/16 × 16 5/16 inches (23 × 41.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund