The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
109
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
110
Etched by Thomas Rowlandson, 1756–1827
French Barracks
1791
111
Richard Gilson Reeve, 1803–1889
View of the Port of Liverpool
1836
112
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
113
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
114
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
115
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
116
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
117
Print made by William Walcot, 1874–1943
Villa Quintilii
1921
118
Print made by William Walcot, 1874–1943
House of Sallust
1920
119
Print made by William Walcot, 1874–1943
Caesar in Egypt
1926
120
Henry Papprill, 1816–d.after 1883
This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1
1842
121
Charles Tomkins, 1757–1823
Encampment at Farnham near St. Edmund's Bury
1782
122
Archibald Robertson, 1748–1788
The Triumpal Arch, Erected, June 17th 1777, in Honor of William Bromley Chester Esqr
1782
123
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
124
James Gillray, 1756–1815
The Valley of the Shadow of Death
1808
125
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
126
Samuel Ireland, died 1800
Guildhall
1800
127
Samuel Ireland, died 1800
Stone Buildings, Lincoln's Inn
1800
128
Samuel Ireland, died 1800
Lion's Inn
1800
129
Samuel Ireland, died 1800
Clement's Inn
1800
130
Samuel Ireland, died 1800
Barnard's Inn
1800
131
Samuel Ireland, died 1800
New Inn
1800
132
Samuel Ireland, died 1800
Garden Front of Furnival's Inn
1800
133
Samuel Ireland, died 1800
Lincoln's Inn Hall and Chapel
1800
134
Samuel Ireland, died 1800
Clifford's Inn
1800
135
Print made by Robert Havell, 1769–1832
View of the Old Corn Market and Tuns Inn, Guildford
1819
136
Print made by Robert Isaac Cruikshank, 1789–1856
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
after 1820
137
Print made by Sir Frank Short, 1857–1945
'Twixt Dawn and Day
1919
138
John William Edy, 1760–1820
View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795
1797
139
William Ellis, 1747–1810
Baskerville House, the Residence of John Ryland, Esq
1792
140
William Ellis, 1747–1810
The New Meeting
1792
141
William Ellis, 1747–1810
Bordesley Hall, the Seat of John Taylor, Esq
1792
142
William Ellis, 1747–1810
Beddington
1792
143
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
144
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre taken from Pont Marie
1802
145
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michael taken from Pont Neuf
1803
146
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
1803
147
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli and St. German en Laye seen in the distance
1803
148
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
149
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
1803
150
Print made by Thomas Girtin, 1775–1802
View of the Village of Chaillot and etc. taken from Pont de la Concorde
1803
151
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
152
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
153
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge taken from the Quay D'Orsai
1802
154
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf
1802
155
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint and etc
1803
156
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
157
Print made by Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud
1802
158
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
159
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mount Cavalary taken from Pont de Seve
160
Print made by Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre and the College of Four Nations
1803
161
Print made by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
162
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame
1803
163
Print made by Thomas Girtin, 1775–1802
View of the Gate of the St. Denis taken from the Suburbs
1803
164
Print made by Sir Frank Short, 1857–1945
Dawn
1912
165
Henry Hoppner Meyer, ca. 1782–1847
View of the New Country Prison at Abingdon, Berkshire
undated
166
unknown artist
Carlinan Mill, Iverary, Scotland
1811
167
Print made by David Allan, 1744–1796
Peggy and Patie
1808
168
Print made by David Allan, 1744–1796
Bauldy and Mause
1808
169
Print made by David Allan, 1744–1796
Sir William Worthy and Patie
1808
170
Print made by David Allan, 1744–1796
Bauldy, Symon and Sir William Worthy
1808
171
Print made by David Allan, 1744–1796
Sir William Worthy's Blessing
1808
172
Print made by David Allan, 1744–1796
Patie and Peggy
1808
173
Print made by David Allan, 1744–1796
Madge and Bauldy
1808
174
Print made by Sir Frank Short, 1857–1945
Moonlight at Sea, Off the Isle of Wight
1896
175
Print made by Sir Frank Short, 1857–1945
Moonlight at Sea, Off the Isle of Wight
1896
176
Print made by Charles Henry Baskett, 1872–1953
The Mill by the Sea
1914
177
Print made by Richard Gilson Reeve, 1803–1889
Clare Hall, Cambridge
1807
178
Print made by Richard Gilson Reeve, 1803–1889
Christ Church Cathedral, Oxford
1807
179
Print made by Richard Gilson Reeve, 1803–1889
Peterborough Cathedral
1809
180
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
181
Print made by Robert Havell, 1769–1832
Cassiobury, Hertfordshire, The Seat of the Earl of Essex
1816
182
Print made by Richard Gilson Reeve, 1803–1889
Peterborough Cathedral
1809
183
Print made by Robert Havell, 1769–1832
Cassiobury, Herfordshire, The Seat of the Earl of Essex
1816
184
Print made by John Hill, 1770–1850
The Great Cloister, Cassiobury
1816
185
Print made by Frederick Christian Lewis the Elder, 1779–1856
Tours, looking backwards
undated
186
Print made by Frederick Christian Lewis the Elder, 1779–1856
Promenade on the Ramparts of Nantes
undated
187
Marie C. Prestel, 1747–1794
A Country Churchyard. Verse from Gray's Elegy
1790
188
Print made by John Augustus Atkinson, 1775–1831
Fools; or Jesters
1813
189
Print made by William Birch, 1755–1834
Mrs. Robinson
1792
190
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
191
Print made by Bradshaw & Blacklock, active ca.1850
Greenwich Hospital
after 1850
192
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
193
Print made by Bradshaw & Blacklock, active ca.1850
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
194
after George Baxter, 1804–1867
Prince Albert
after 1855
195
after George Baxter, 1804–1867
The Death of Ananias
after 1855
196
Bradshaw & Blacklock, active ca.1850
Set of 18 Labels from 'Twining & Sons' Hairpins Boxes
after 1850
197
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
198
Bradshaw & Blacklock, active ca.1850
Returning from the Spring. Virginia
after 1850
199
Bradshaw & Blacklock, active ca.1850
Set of Needle-Box Prints
after 1850
200
Bradshaw & Blacklock, active ca.1850
Specimens of Rocks. Proof of an Illustration for Wright's 'Globe Prepared for Man'