Materials & Techniques: aquatint / Work Type: intaglio print / Subject Terms: woman

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Materials & Techniques aquatint

Work Type intaglio print

Subject Terms woman

Print made by Bradshaw & Blacklock, active ca.1850

Eight Rural Subjects

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by James Barry, 1741–1806

Repose in Egypt

ca. 1776

Print made by James Barry, 1741–1806

Repose in Egypt

ca. 1776

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Bradshaw & Blacklock, active ca.1850

Returning from the Spring. Virginia

after 1850

Engraved by George Baxter, 1804–1867

Balmoral Castle

after 1850

Engraved by George Baxter, 1804–1867

Balmoral Castle

after 1850

Print made by George Baxter, 1804–1867

The Belle of the Village

1854

Engraved by George Baxter, 1804–1867

Balmoral Castle

after 1850

Print made by George Cruikshank, 1792–1878

Fitting out. - Plate 1

1820

William Lee Hankey, 1869–1952

The Flight from Belgium

1914

Print made by Samuel Freeman, 1773–1857

Mamma at Romps

1810

Print made by Samuel Freeman, 1773–1857

Iris

1808

Print made by Thomas Gaugain, 1748–1812

Turnips & Carrots ho

1797

William Ellis, 1747–1810

Baskerville House, the Residence of John Ryland, Esq

1792

Print made by David Allan, 1744–1796

Jenny and Roger

1808

Print made by David Allan, 1744–1796

Bauldy and Mause

1808

Print made by David Allan, 1744–1796

Bauldy, Symon and Sir William Worthy

1808

Print made by David Allan, 1744–1796

Patie and Peggy

1808

Print made by John Bluck, active 1791–1831

Clare Hall

1814

Print made by John Bluck, active 1791–1831

Clare Hall

1814

John Hill, 1770–1850

St. Sepulchres, The Round Church

1814

William Lee Hankey, 1869–1952

In the Garden

1920

Print made by William Ellis, 1747–1810

Clapham

1792

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