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Collection
Prints and Drawings
22
Creator
Girtin, Thomas, 1775–1802
22
Lewis, Frederick Christian the Elder, 1779–1856
12
Pickett, W., active 1792–1820
7
Harraden, Richard Banks, 1778–1862
2
Girtin, James, ca. 1780–after 1820
1
Harraden, James, active 1801–1814
1
Date
1803
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22
1808
4
1814
4
1855
3
1900
3
1771
2
1802
2
1809
2
1810
2
1795
1
1804
1
1811
1
1813
1
1815
1
1825
1
1896
1
1910
1
1912
1
On-site Access
Accessible by appointment in the Study Room
22
Image Use
Free to Use
22
Image Available
Available
22
Classification
Prints
22
Creator Gender
male
22
Collective Title
Selection of Twenty of the Most Picturesque Views of Paris and its Environs
15
Period
19th century
22
Materials & Techniques
aquatint
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22
etching (printing process)
15
wove paper
7
soft-ground etching
6
hand coloring
1
watercolor
1
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140
Work Type
intaglio print
22
Genre
architectural subject
20
cityscape
20
landscape
2
Subject Terms
river
19
architectural subject
10
cityscape
6
bridge (built work)
5
barges (flat-bottomed watercraft)
2
boats
2
carriages
2
domes
2
horse (animal)
2
people
2
barrels (containers)
1
buildings
1
carts
1
coat
1
cottages
1
house
1
houseboats
1
houses
1
landscape
1
oars
1
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Subject Terms
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Associated Places
Europe
21
France
21
Île-de-France
21
Paris
15
Seine
14
Charenton-le-Pont
7
Pont de Charenton-le-Pont
7
Val-de-Marne
7
Cathédrale Notre-Dame de Paris
6
Pont Neuf
6
Pont de la Concorde
6
Marne
5
Quartier de Chaillot
5
Bourse de Paris
3
Jardins des Tuileries
3
Musée du Louvre
3
Palais des Tuileries
3
Collège des Quatre-Nations
2
College of Four Nations
1
Panthéon
1
Exhibition History
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)
1
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
22
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Materials & Techniques
aquatint
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1803
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1
Print made by Thomas Girtin, 1775–1802
View of the Village of Chaillot and etc. taken from Pont de la Concorde
1803
2
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
3
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
4
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
5
Thomas Girtin, 1775–1802
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
6
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, & c
1803
7
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
8
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
9
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
10
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
11
Print made by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
12
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
1803
13
Print made by Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre and the College of Four Nations
1803
14
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint and etc
1803
15
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
16
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
17
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
18
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
19
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
20
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
21
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
22
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803