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Welcome to YCBA Collections Online
The museum is closed for building conservation. We regret that we are unable to accept orders for new collections photography until January 2025.
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Collection
Prints and Drawings
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6
Creator
Bartolozzi, Francesco, 1727–1815
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6
Tresham, Henry, 1751–1814
5
Liparoli, X, active 1790s
2
Alken, Samuel, 1756–1815
1
Wheatley, Francis, 1747–1801
1
Date
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Current results range from
1792
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1794
On-site Access
Accessible by appointment in the Study Room
6
Image Use
Free to Use
6
Image Available
Available
6
Classification
Prints
6
Creator Gender
male
6
Period
18th century
6
Materials & Techniques
aquatint
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6
brown wash
5
line engraving
5
stipple engraving
4
drypoint
1
Height [cm]
53
1
Width [cm]
67
1
Work Type
intaglio print
6
Genre
literary theme
5
portrait
1
sporting art
1
Subject Terms
Spaniels (breed)
1
bridge (built work)
1
dogs (animals)
1
horses (animals)
1
hounds (dogs)
1
hunting
1
pheasants
1
portrait
1
rabbits
1
sporting art
1
Associated Places
Clumber House
1
England
1
Nottinghamshire
1
United Kingdom
1
Worksop
1
Associated People
Shakespeare, William (1564–1616), playwright and poet
5
Clinton, Henry Fiennes Pelham-, ninth earl of Lincoln and second duke of Newcastle under Lyme (1720–1794), politician
1
Mansell, William (second Duke of Newcastle's gamekeeper)
1
Exhibition History
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05)
1
Credit Line
Yale Center for British Art, Paul Mellon Collection
6
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Materials & Techniques
aquatint
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Collection
Prints and Drawings
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Creator
Bartolozzi, Francesco, 1727–1815
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1
Print made by Francesco Bartolozzi, 1728–1815
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
2
Francesco Bartolozzi, 1728–1815
Antony and Cleopatra, Act I, Scene II
1794
3
Francesco Bartolozzi, 1728–1815
Troilus and Crssida, Act 3, Scene II
1794
4
Francesco Bartolozzi, 1728–1815
King Lear, Act 4, Scene VII
1794
5
Francesco Bartolozzi, 1728–1815
Ophelia vide Hamlet, Act 4, Scene VII
1794
6
Francesco Bartolozzi, 1728–1815
Troilus and Cressida, Act 4, Scene II
1794